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Advisory Board
Alicia Arrizón
Yvonne Yarbro Bejarano 
Kate Bornstein
Jennifer Brody
Catherine Ceniza Choy
Rey Chow
Kandice Chuh
Jennifer Doyle
Sharon Holland
John Jackson
Janet Jakobsen
Jill Lane
José Muñoz
Sianne Ngai
Cynthia Oliver
Peggy Phelan
Jasbir K. Puar
Juana Maria Rodriguez
Rebecca Schneider
Alina Troyano

Editorial Board
Barbara Browning
Joshua Chambers-Letson
Robert Diaz
Danielle Goldman
Debra Levine
Paul Scolieri
Jeanne Vaccaro
 
Contributing Editors Board
Gwendolyn Alker 
Sara Jane Bailes  
Michelle Dent 
Christian Herold 
MJ Thompson 
Issue 29: Passing PDF Print E-mail

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Pass•ed Performances: an Introduction
John L. Jackson, Jr. and Martha S. Jones

Forced to Pass and Other Sins Against Authenticity
Kerry Ann Rockquemore

In-and-Out-of-Race: The Story of Noble Johnson
Jane Gaines

Passing as Politics: Framing Black Political Performance
Tavia Nyong'o

"Makin A Way Outta No Way": The Dangerous Business of Racial Masquerade in Nella Larsen's Passing
Carlyle Van Thompson

Stacks of Obits: A Performance Piece
Stephanie L. Batiste

Pedagogy by the Oppressed: Negotiating Power and Identity in the White Academy
M. Nandi

Ambiguous Movements: Paisley Rekdal's Passing Identity in The Night My Mother Met Bruce Lee: Observations on Not Fitting In
Jennifer Ho

Passing and the Performance of Gender, Race, and Class Acts: A Theoretical Framework
Liora Moriel

Orchestra Seats: Passing in Cinema
Omayra Zaragoza Cruz

Passing for Human: Bamboozled and Digital Humanism
Kara Keeling

Rooting for Queers: A Politics of Primitivity
Scott Morgensen

Passing and Failing: Reflections on the Limitations of Showing the Passer in The Human Stain
Rachel Gelder

 
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