Issue 18: Staging Sound, Feminism and Re/production
Vol. 9, No. 2 1997
Editors: Jennifer Natalya Fink, Fred Moten, June L. Reich

7 Acknowledgments

9 Introduction
Fred Moten

11 Introduction: Dedication ot Laughter
Jennifer Natalya Fink

22 And the Question of
Ann Lauterbach

25 Women’s Time/Radio Time: Time, Translation and Transgression
Mary Louise Hill

53 Rodney Kingdom: Mnemotechnics and the Animal World
Akira Mizuta Lippit

81 Intimate Screaming: The Sound of Surveillance
John Edward McGrath

95 “Take Black or White”: Libby Holman’s Sound
Jeanne Scheper

119 The Body and its Doubles: On the (De-)Construction of Femininity on Stage
Helga Finter, translated by Batthew Griffin

143 The Dark Lady and the Sexual Cut: Sonnet Record Frame/Shakespeare Jones Eisenstein
Fred Moten

163 The Other Side of Echo: The Adventures of a Dyke-Mestiza-Chicana-Marimacha Ranchera Singer in (Robert) Ashleyland
Christian Herold

198 This Need for Lint
Matt Bernstein Sycamore

199 The Production of a Woman in Andrei Tarkovsky’s The Sacrifice
Thomas W. Sheehan

211 The Public Forum: Ugly Duckling
Hilary Poole

223 The Public Forum: Reactions to Near-Simultaneous Dance Versions of Alternative Rock
D. Travers Scott

239 Reviews

289 Pink Pages: Resource Guide on Women & Music
Gwendolyn Alker