Performing Japanese Women
Vol. 12, No. 1 #23 2001
Editors: Steven T. Brown and Sara Jansen
7 Introduction: Other Histories of Japanese Performance
Steven T. Brown
15 Introduction: Contrasting Voices
Sara Jansen
23 Interactive Narrators and Performative Readers: Gendered Interfacing in Heian Narratives
Lynne K. Miyake
43 Performing Sinners: the Asobi and the Buddhist Discourse of Tsumi
Tery Kawashima
59 Voices from the Feminine Margin: Izumi Shikibu and the Nuns of Kumano and Seiganji
R. Keller Kimbrough
79 Performing the Courtesan: In Search of Ghosts at Zuishin-in Letter Mound
Sarah M. Strong
97 Challenging the Old Men: A Brief History of Women in Noh Theater
Eric C. Rath
113 Reflections of Terute: Searching for a Hidden Shaman-Entertainer
Susan Matisoff
135 “Nostalgia” or “Newness”: Nihon Buyo in the United States
Barbara Sellers-Young
151 The Limits of Speech: Kishida Rio’s Thread Hell
Tonooka Naomi
167 The Journey Continues: Shiraishi Kayoko tells One Hundred Stories
Loren Edelson
177 Hitsujiya Shirotama on Herself and Yubiwa Hotel
An Interview by Naito Nao and Hibina Kei Translated, and with an introduction by Naito Mao
191 Fleeting Moments: The Vanishing Acts of Phantom Women in the Performances of Dumb Type
Katherine Mezur
207 The Meat Manifesto: Rush Ozeki’s Performative Poetics
Nina Cornyetz
225 Reviews
Loren Edelson, Reviews Editor
263 List of Contributors |