The Women and Theatre Program
Vol. 4, No 2, #8 1989

3 Editorial Voices

5 A History of the Women and Theatre Program
Rhonda Blair

14 Women and Theatre Program: Reactions and Reflections
Judith L. Stephens

20 Introduction to Chlorophyll Postmodernism and the Mother Goddess/A Conversation
Sue-Ellen Case

26 Chlorophyll Postmodernism and the Mother Goddess/A Conversation
Anna Deavere Smith

46 Staking Claims and Positions: The Women and Theatre Program, San Diego, and the Danger Zone
Jill Dolan

58 Split Britches in Split Britches: Performing History, Vaudeville, and the Everyday
Vivian M. Patraka

68 Split Britches: A True Story
Peggy Shaw, Deborah Margolin and Lois Weaver

96 The Politics of Form: Realism, Melodrama and Pam Gems’ Camille
by Janelle Reinelt

104 Artifice and Authenticity: Gender Scenarious in Pina Bausch’s Dance Theatre
Marianne Goldberg

118 Feminist Dramatic Criticism: Where We Are Now
Susan M. Flierl Steadman

149 Reviews and Resources