It is a mark of the acceleration with which ideas now circulate that the two years since this special issue of Women and Performance was first floated, “precarity” has crossed over from the European and Latin American Left to the United States.
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The artist MPA uses her body to explore the aesthetics and tactics of resistance. Her work has shown internationally, from New York to Stockholm to Oaxaca, and she has collaborated with artists including Sadie Benning, Leidy Churchman, Katherine Hubbard, and Emily Roysdon.
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SCORE FOR BEFORE Think about the evening during the day. Text about when and where. Be there when and where.
Care collective is a group of 10 people who coordinate Park McArthur's nightly care routine.
Read MoreThe plans for this special dossier on Lizzie Borden's 1983 film Born in Flames first emerged following a screening of the film organized in April 2010 by the Queer/Film/Art series in New York.1 We attended the screening together–it was Craig's first viewing, and Dean's first in many years–
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Soundtracks: a visual reading guide for listening, an auditory engagement and the liner notes on this issue's imagined inner sleeve. Here, a selected group of writers, artists and thinkers sonically approach the concepts of feminism and punk anteriority.
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