https://www.womenandperformance.org/ampersand daily 0.75 2022-08-04 https://www.womenandperformance.org/ampersand/category/america monthly 0.5 2022-11-13 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1651183462116-N4B5TYKR7H44XULZ120G/AMERICA+Francisco+Mallmann.jpg ampersand - AMÉRICA | Francisco Mallmann - Make it stand out Figure 1. Francisco Mallmann, AMÉRICA (2018). Image courtesy the artist. https://www.womenandperformance.org/ampersand/category/mindgoeswhere monthly 0.5 2021-10-11 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1633962348134-BAAEZ4KMHRSDR63D1FBS/Screen+Shot+2021-09-19+at+2.44.30+PM.png ampersand - Mind goes where eyes can’t follow: internalizing the logics of capture | Nora Nahid Khan - Make it stand out Figure 1. Virginia Wagner, Cyber-flâneur (2021). Image courtesy of the artist. https://www.womenandperformance.org/ampersand/category/hearing-loss-and-no-commenthtml monthly 0.5 2021-10-11 https://www.womenandperformance.org/ampersand/category/dissidence-dissidance-claude-cahun-amp-marcel-moores-visions-andin-oxana-chis-motions-layla-zami.html monthly 0.5 2021-10-26 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1629751153935-XNBU2M99KWW98BGK60SZ/Screen+Shot+2021-08-23+at+4.37.59+PM.png ampersand - Dissidence, Dissidance: Claude Cahun & Marcel Moore's Visions and/in Oxana Chi's Motions | Layla Zami Figure 1. Oxana Chi dances Killjoy, New York University, 2016. Photo by Kearra Gopee. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1629751156329-ORTRCSLI07QF1ZH36SUE/Screen+Shot+2021-08-23+at+4.38.09+PM.png ampersand - Dissidence, Dissidance: Claude Cahun & Marcel Moore's Visions and/in Oxana Chi's Motions | Layla Zami Figure 2. Oxana Chi and Layla Zami ahead of the lecture-performance Killjoy, Belgrade, Bet Debora Conference, 2019. Photo by Oxana Chi and Layla Zami. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1629751158930-R6WSXTBD4ZU6YJVQFPH5/Screen+Shot+2021-08-23+at+4.38.19+PM.png ampersand - Dissidence, Dissidance: Claude Cahun & Marcel Moore's Visions and/in Oxana Chi's Motions | Layla Zami Figure 3. Layla Zami speaks in the lecture-performance Killjoy, Belgrade, 2019. Photo by Sonja Viličić. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1629751160500-AOBD5E5Q09TXM2374FPQ/Screen+Shot+2021-08-23+at+4.38.27+PM.png ampersand - Dissidence, Dissidance: Claude Cahun & Marcel Moore's Visions and/in Oxana Chi's Motions | Layla Zami Figure 4. Oxana Chi dances Killjoy, Rheinsberg Schloß / Castle, Dagesh Kunstlab Opening, 2016. Photo by Layla Zami. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1629751162134-DLX9ORK8NA7NR3EEFIDM/Screen+Shot+2021-08-23+at+4.38.36+PM.png ampersand - Dissidence, Dissidance: Claude Cahun & Marcel Moore's Visions and/in Oxana Chi's Motions | Layla Zami Figure 5. Oxana Chi in Killjoy, Feminist Antifascist Festival, Potsdam, Germany, 2017. Photo by Oxana Chi. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1629751164889-07UTSPZ51T7DOYU85QD8/Screen+Shot+2021-08-23+at+4.38.44+PM.png ampersand - Dissidence, Dissidance: Claude Cahun & Marcel Moore's Visions and/in Oxana Chi's Motions | Layla Zami Figure 6. Oxana Chi dances Killjoy, La Maison rouge: Maison des arts, Martinique, 2019. Photo by Florence Baudin. https://www.womenandperformance.org/ampersand/category/the-banned-book-list-a-monument-of-injustice-against-freedom-of-speech.html monthly 0.5 2021-09-05 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630843500340-IB0YMUA58RGTLQN0RKS9/1.png ampersand - The Banned Book List: a monument of injustice against freedom of speech | Sue Jeong Ka https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630843503974-XP33FANG5K7POQ50HH75/2.png ampersand - The Banned Book List: a monument of injustice against freedom of speech | Sue Jeong Ka https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630843507854-RQG01WC62YSLQDIBWOQ2/3.png ampersand - The Banned Book List: a monument of injustice against freedom of speech | Sue Jeong Ka https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630843510860-AOSGF2JS2A4NWT6UVDDZ/4.png ampersand - The Banned Book List: a monument of injustice against freedom of speech | Sue Jeong Ka https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630843514189-YWHKLL643MNA1WPIQQMA/5.png ampersand - The Banned Book List: a monument of injustice against freedom of speech | Sue Jeong Ka https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630843518775-PQIJL16AC1I5QPFIRTUT/6.png ampersand - The Banned Book List: a monument of injustice against freedom of speech | Sue Jeong Ka https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630843522154-6VWVZCNB9C3WRKLVM1GG/7.png ampersand - The Banned Book List: a monument of injustice against freedom of speech | Sue Jeong Ka https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630843525515-KX7B8FB0NFG19M9LVZNW/8.png ampersand - The Banned Book List: a monument of injustice against freedom of speech | Sue Jeong Ka https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630842697752-F07006HYF6IAVU9S30QZ/Screen+Shot+2021-09-05+at+7.50.21+AM.png ampersand - The Banned Book List: a monument of injustice against freedom of speech | Sue Jeong Ka - Make it stand out Figure 1. The environmental approach, past and present. https://www.womenandperformance.org/ampersand/category/selected-poems-by-kiki-nicole-kiki-nicole.html monthly 0.5 2021-03-08 https://www.womenandperformance.org/ampersand/category/justice-and-injury-interview-with-adelita-husni-bey-noam-segal.html monthly 0.5 2021-10-11 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1614448256125-JZ4COMM2VSN69DUTBTUJ/Screen+Shot+2021-02-27+at+14.45.41.png ampersand - Justice and Injury: Interview with Adelita Husni Bey | Noam Segal Figure 2. Exhibition view. Souce: Chiron, 2018, 4K video, 18:13 min with 26 translucent banners, 114 x 460 cm each. Installation view at RedCat, Los Angeles. Photo: Brica Wilcox. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1614447894987-NW882QMH27M3R97560EP/Screen+Shot+2021-02-27+at+14.45.13.png ampersand - Justice and Injury: Interview with Adelita Husni Bey | Noam Segal Figure 1. Blue still with 3 figures. Source: Chiron, video still, 2018, 4K video, 18:13 min. Courtesy the artist and Galleria Laveronica. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1614448475396-K30OOR41PYBYAZ0OYK5C/Screen+Shot+2021-02-27+at+14.45.51.png ampersand - Justice and Injury: Interview with Adelita Husni Bey | Noam Segal Figure 3. Still with street-view. Source: Chiron, video still, 2018, 4K video, 18:13 min. Courtesy the artist and Galleria Laveronica. https://www.womenandperformance.org/ampersand/category/50-lessons-from-the-medicalsurgical-floor-katharine-a-tillman.html monthly 0.5 2021-03-24 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1614447284986-S3RBZ46OKKJ28UA6TL2F/Screen+Shot+2021-02-27+at+14.35.40.png ampersand - Pathological Fracture: 50 Lessons from the Medical/Surgical Floor | Katharine A. Tillman Figure 4. Visitor’s bed by the hospital room window. Photo courtesy of the author. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1614447073966-YLC5KQR0S1I1RI92PZH4/Figure+1.+Medical+supplies+organized+neatly.+Photo+courtesy+of+the+author. ampersand - Pathological Fracture: 50 Lessons from the Medical/Surgical Floor | Katharine A. Tillman Figure 1. Medical supplies organized neatly. Photo courtesy of the author. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1614447360130-7CRLK1VJIE9V42UOBM8O/Screen+Shot+2021-02-27+at+14.37.22.png ampersand - Pathological Fracture: 50 Lessons from the Medical/Surgical Floor | Katharine A. Tillman Figure 2. A late-night view from the hallway of Med/Surg Floor 4. Photo courtesy of the author. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1614447200957-MYYIB0POHCTA8RMPFBTD/Screen+Shot+2021-02-27+at+14.34.43.png ampersand - Pathological Fracture: 50 Lessons from the Medical/Surgical Floor | Katharine A. Tillman Figure 3. Peripherally inserted central catheter (PICC) line. Photo courtesy of the author. https://www.womenandperformance.org/ampersand/category/futurity-mariana-valencia.html monthly 0.5 2021-02-27 https://www.womenandperformance.org/ampersand/category/removal-refusal-rehearsal-15-fridays-jennifer-hayashida.html monthly 0.5 2020-09-04 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1599244224375-MRKDGA81W0GMS13E1DS4/Screen+Shot+2020-09-04+at+15.29.53.png ampersand - Removal, Refusal, Rehearsal: 15 Fridays | Jennifer Hayashida Sewing, under Alina’s direction: Linda, Sally, Alex, Rachel, and Alina. Image courtesy of the artist. https://www.womenandperformance.org/ampersand/29-3/igharasnjootli monthly 0.5 2019-12-11 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573770435189-6V5L63DE6SIS76SM3G1S/Fig.+1.jpg ampersand - Sinuosity | Ts̱ēmā Igharas and Jeneen Frei Njootli https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573770434909-6LEL94PFQ4QCW5C7DOO9/Fig.+2.jpg ampersand - Sinuosity | Ts̱ēmā Igharas and Jeneen Frei Njootli https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573770436846-M85PHT2NMFZFCVFKJD8Z/Fig.+3.jpg ampersand - Sinuosity | Ts̱ēmā Igharas and Jeneen Frei Njootli https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573770436482-O3DQF5OCZ0908IMK0G4F/Fig.+4.jpg ampersand - Sinuosity | Ts̱ēmā Igharas and Jeneen Frei Njootli https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573770437465-P0LE7KK1F912264OOR0A/Fig.+5.jpg ampersand - Sinuosity | Ts̱ēmā Igharas and Jeneen Frei Njootli https://www.womenandperformance.org/ampersand/29-3/sansonettiulloa monthly 0.5 2023-10-18 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573767861235-FLDVFVOFBZGI82TJF85E/Still+from+La+Macanita%27s+Buler%C3%ADas.jpg ampersand - Lovey-Dovey Mixtape | Annie Sansonetti and Blanca Ulloa Still from “Bulerías” (La Macanita) https://www.womenandperformance.org/ampersand/29-3/ulloabiberaj monthly 0.5 2019-12-19 https://www.womenandperformance.org/ampersand/29-3/danboltfleckner monthly 0.5 2019-11-13 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573164217745-55Y5G0EOUYTWIZMMMK58/eight_12_Fleckner.jpg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner Figure 8: Ester Fleckner. I navigate in collisions, (Jeg navigerer i kollisioner), 12, 2014–2015. Woodcut on paper, 101 x 75 cm. Courtesy of the artist, Avlskarl Gallery, Copenhagen, and Galerie Barbara Wien, Berlin. (Photo: Anders Sune Berg) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573165324531-OUG29HZVROKFTM2IO9WK/diptych_13_8+left+side_Fleckner.jpg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573165327103-QSKSMJTTMS9UOKUU3DS5/diptych_13_8+right+side_Fleckner.jpg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573162674230-QBX88LB116URH4QZ7NBQ/third_2_Fleckner.jpg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner Figure 3: Ester Fleckner. I navigate in collisions, (Jeg navigerer i kollisioner), 2, 2014–2015. Woodcut on paper, 101 x 75 cm. Courtesy of the artist, Avlskarl Gallery, Copenhagen, and Galerie Barbara Wien, Berlin. (Photo: Anders Sune Berg) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573164973174-DOGS7VYKDO3W41IJEUHP/image-asset.jpeg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner Figure 11: Ester Fleckner. I navigate in collisions, (Jeg navigerer i kollisioner), 7, 2014–2015. Woodcut on paper, 101 x 75 cm. Courtesy of the artist, Avlskarl Gallery, Copenhagen, and Galerie Barbara Wien, Berlin. (Photo: Anders Sune Berg) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573164455935-CT3MM1519OSW1DWLREKO/nine_5_Fleckner.jpg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner Figure 9: Ester Fleckner. I navigate in collisions, (Jeg navigerer i kollisioner), 5, 2014–2015. Woodcut on paper, 101 x 75 cm. Courtesy of the artist, Avlskarl Gallery, Copenhagen, and Galerie Barbara Wien, Berlin. (Photo: Anders Sune Berg) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573163324324-DROUOHW8NQDT23Q6XGYX/image-asset.jpeg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner Figure 6: Ester Fleckner. I navigate in collisions, (Jeg navigerer i kollisioner), 4, 2014–2015. Woodcut on paper, 101 x 75 cm. Courtesy of the artist, Avlskarl Gallery, Copenhagen, and Galerie Barbara Wien, Berlin. (Photo: Anders Sune Berg) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573162450008-VC3YITEO83ZUT4TQYWLT/second_9_Fleckner.jpg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner Figure 2: Ester Fleckner. I navigate in collisions, (Jeg navigerer i kollisioner), 9, 2014–2015. Woodcut on paper, 101 x 75 cm. Courtesy of the artist, Avlskarl Gallery, Copenhagen, and Galerie Barbara Wien, Berlin. (Photo: Anders Sune Berg) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573162831377-7GAXM3RBDDIK6JNCIJ4C/four_3_Fleckner.jpg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner Figure 4: Ester Fleckner. I navigate in collisions, (Jeg navigerer i kollisioner), 3, 2014–2015. Woodcut on paper, 101 x 75 cm. Courtesy of the artist, Avlskarl Gallery, Copenhagen, and Galerie Barbara Wien, Berlin. (Photo: Anders Sune Berg) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573162901424-OWCOG5OFX0XZWTV62LBB/image-asset.jpeg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner Figure 5: Ester Fleckner. I navigate in collisions, (Jeg navigerer i kollisioner), 1, 2014–2015. Woodcut on paper, 101 x 75 cm. Courtesy of the artist, Avlskarl Gallery, Copenhagen, and Galerie Barbara Wien, Berlin. (Photo: Anders Sune Berg) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573164611130-OQIFTCZJWR1K5D6DL7JL/image-asset.jpeg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner Figure 10: Ester Fleckner. I navigate in collisions, (Jeg navigerer i kollisioner), 10, 2014–2015. Woodcut on paper, 101 x 75 cm. Courtesy of the artist, Avlskarl Gallery, Copenhagen, and Galerie Barbara Wien, Berlin. (Photo: Anders Sune Berg) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573165061141-257JY8P0PPKKXKPI9FB5/image-asset.jpeg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner Figure 12: Ester Fleckner. I navigate in collisions, (Jeg navigerer i kollisioner), 11, 2014–2015. Woodcut on paper, 101 x 75 cm. Courtesy of the artist, Avlskarl Gallery, Copenhagen, and Galerie Barbara Wien, Berlin. (Photo: Anders Sune Berg) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573163810231-3TC3FNV3GMJSJCIFBHZJ/seven_6_Fleckner.jpg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner Figure 7: Ester Fleckner. I navigate in collisions, (Jeg navigerer i kollisioner), 6, 2014–2015. Woodcut on paper, 101 x 75 cm. Courtesy of the artist, Avlskarl Gallery, Copenhagen, and Galerie Barbara Wien, Berlin. (Photo: Anders Sune Berg) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1573161481427-6Q2O3O8G6H9C9KDLHXV5/first_flyer_+Eng_Fleckner.jpg ampersand - Intimate Constellations/Constellations of Intimacy: An Exchange on Navigating in Collisions | Mathias Danbolt and Ester Fleckner Figure 1: Ester Fleckner. I navigate in collisions, flyer (English version), 2014–2015. Woodcut on paper, 74 x 48 cm. Courtesy of the artist, Avlskarl Gallery, Copenhagen, and Galerie Barbara Wien, Berlin. (Photo: Anders Sune Berg) https://www.womenandperformance.org/ampersand/28-2/theonia monthly 0.5 2019-09-13 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1567014911809-26ZQNJIV3XIH5USX8F86/Theonia_Pink_Ground_29.2.jpg ampersand - Three poems: Clear Weather, 2003, 1989 | Charles Theonia Elle Pérez: Stone Bloom, 2018 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1567014859020-GO18E1U4B9U8DOTX3JJ7/Theonia_Ian_Waterdrop_29.2.jpg ampersand - Three poems: Clear Weather, 2003, 1989 | Charles Theonia Elle Pérez: Water Body, 2016 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1567015026496-RJS8HRO5O262U0HF3XC2/Theonia_Banana_Leaf_29.2.jpg ampersand - Three poems: Clear Weather, 2003, 1989 | Charles Theonia Elle Pérez: gabriel, 2019 https://www.womenandperformance.org/ampersand/29-2/grullon monthly 0.5 2019-08-28 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1567013703312-STV0IT4VJCFFSUHJ6NNE/Grullon_image01_Battle.jpg ampersand - Bringing Back the Future | Alicia Grullón and Jehan Roberson https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1567013704981-N711K3669CYQKNIYFPP3/Grullon_image02_Battle.jpg ampersand - Bringing Back the Future | Alicia Grullón and Jehan Roberson https://www.womenandperformance.org/ampersand/29-1/hopinka monthly 0.5 2019-03-12 https://www.womenandperformance.org/ampersand/29-1/campt monthly 0.5 2019-03-12 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1551812804609-SORQ9PF6MJ0AEMRLCSPE/Figure+3.jpg ampersand - Black visuality and the practice of refusal | Tina Campt https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1551813444374-0JFTJXH67RXFPOM3UVAQ/Figure+2.jpg ampersand - Black visuality and the practice of refusal | Tina Campt https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1551813561977-DRUI5W609QMDSKQ5YSYM/image-asset.jpeg ampersand - Black visuality and the practice of refusal | Tina Campt https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1551812961986-HK5L89PHOCVT20NHF1DQ/Figure+1.jpg ampersand - Black visuality and the practice of refusal | Tina Campt https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1551812861788-MVF7UJ3D0MC5CD2OFZ3R/Figure+4.jpg ampersand - Black visuality and the practice of refusal | Tina Campt https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1551813547713-CHOQULO7TXBWY31IDMS3/Figure+5.jpg ampersand - Black visuality and the practice of refusal | Tina Campt https://www.womenandperformance.org/ampersand/29-1/nguyen monthly 0.5 2019-03-11 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1551126105437-UD4IO8XLM1MLQBGYV4BJ/Nguyen+29.1+Image+2 ampersand - Project 0395A.ĐC | Performing disorientation | Patricia Nguyen Project 0395A.ĐC, photograph courtesy of the artist, Ly Hoang Ly. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1551126092818-LKXU47L39ZFRYJXEKKSD/Nguyen+29.1+Image+1 ampersand - Project 0395A.ĐC | Performing disorientation | Patricia Nguyen Project 0395A.ĐC, photograph courtesy of the artist, Ly Hoang Ly. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1551126116539-MG4LDM001KPLAGBOOYEK/Image+3.JPG ampersand - Project 0395A.ĐC | Performing disorientation | Patricia Nguyen Project 0395A.ĐC, photograph courtesy of the artist, Ly Hoang Ly. https://www.womenandperformance.org/ampersand/28-3-rose-king-montserrat monthly 0.5 2018-12-10 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1542758908802-8E1TJI7387M98VE7VNGB/2018_04_29_The_Last_Place_ICA-7708.jpg ampersand - (some possibilities of) Rural Belongings | Jade Montserrat and Daniella Rose King https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1542758942140-IZ4K74HF5E97ASB1J4MV/2018_04_29_The_Last_Place_ICA-7405.jpg ampersand - (some possibilities of) Rural Belongings | Jade Montserrat and Daniella Rose King https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1542758983842-IJTEHGVWNOG3Z4YCMSCK/2018_04_29_The_Last_Place_ICA-7379.jpg ampersand - (some possibilities of) Rural Belongings | Jade Montserrat and Daniella Rose King https://www.womenandperformance.org/ampersand/28-3-rose-king-scarville monthly 0.5 2018-11-30 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605831109-LJ9R9Z8XA2ARCRAC6NZL/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605528178-2O4NKXWXAHX5HI5KZ4IJ/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605922703-2VU3F1FXZVR2PRQ2OOFA/2016keisha_scarville_untitled_placelessness02.jpg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605618733-NWUX0Q5CE6VZUD96HJR7/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605741744-P01ZZGD0QL2X58I9U5LO/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605600796-UNX1RLVMO9HNK2NDGZXS/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605891783-KRDH1JEVI0AMPM1QZ80P/2016keisha_scarville_untitled_placelessness04.jpg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543606590490-9HBU2BJ3DSPP3WC9PQ0U/2016keisha_scarville_untitled_placelessness01.jpg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605262544-JDYGBVZI36JZ55OJUWX4/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605757566-2TSS7UQ99YID1FGVAMP8/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605662278-MY5NG2HPMSAX2JET7YEX/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605318646-TWEVHLYAMP5G4HUGZOWF/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605710746-CGU9AAINAEMDPU8DMXKQ/2017keisha_scarville_untitled_placelessness17.jpg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605793428-JWIFE2ZQ02KB89CDCVM2/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605696544-ANQ8H16ZS38U4ZJCS3LD/2018keisha_scarville_untitled_placelessness18.jpg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605861227-AOERKBKL33RE0L64Y3N8/2016keisha_scarville_untitled_placelessness06.jpg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605907004-FKX46LHCO05CVSI2NFVX/2016keisha_scarville_untitled_placelessness03.jpg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605501127-D76JQQDIGGC9HJ368IFU/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605876808-7E33O6WQY9B2X7CT02S0/2016keisha_scarville_untitled_placelessness05.jpg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605848046-YV3RKJBT1BLT751VFOD5/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605727542-0JDEUWVLT9GKHUDT6FUE/2017keisha_scarville_untitled_placelessness16.jpg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605563985-P59MZCQXW28RQFNP0DX9/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605812608-WZKKO4K3F2IN1A29RQSY/2016keisha_scarville_untitled_placelessness09.jpg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1543605774811-WS0X4E3AGMAO03FHWZNS/image-asset.jpeg ampersand - Keisha Scarville, The Placelessness of Echoes (and kinship of shadows) | Daniella Rose King and Keisha Scarville https://www.womenandperformance.org/ampersand/28-2-kennedy-fernandes monthly 0.5 2018-05-22 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1526914209908-29TTLFX4CYDRAH1Q9GEJ/recessbrendan20.jpg ampersand - Surface Tensions | Brendan Fernandes on surfaces, aesthetics, art, race, and play https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1526914189704-8Z6R708ZPBNO50HR7SW4/recessbrendan104.jpg ampersand - Surface Tensions | Brendan Fernandes on surfaces, aesthetics, art, race, and play https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1526914232994-9VBL085S8OFZ0XQTAOMQ/recessbrendan308.jpg ampersand - Surface Tensions | Brendan Fernandes on surfaces, aesthetics, art, race, and play https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1526914254697-ZLAA0YJR4J9RC28HNO9E/recessbrendan330.jpg ampersand - Surface Tensions | Brendan Fernandes on surfaces, aesthetics, art, race, and play https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1526914267132-AQX5OKAUZUS9WOM9QZN0/recessbrendan392.jpg ampersand - Surface Tensions | Brendan Fernandes on surfaces, aesthetics, art, race, and play https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1526914283019-7QC48GTXC39H0WZWNUNS/recessbrendan404.jpg ampersand - Surface Tensions | Brendan Fernandes on surfaces, aesthetics, art, race, and play https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1526914295714-SLOTDE3T2H8MSJ58ABOP/recessbrendan429.jpg ampersand - Surface Tensions | Brendan Fernandes on surfaces, aesthetics, art, race, and play https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1526914307080-QMX6287WEYQWCODTE829/recessbrendan444.jpg ampersand - Surface Tensions | Brendan Fernandes on surfaces, aesthetics, art, race, and play https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1526914320591-21M1A9WKA2YE3ZIGT45A/recessbrendan546.jpg ampersand - Surface Tensions | Brendan Fernandes on surfaces, aesthetics, art, race, and play https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1526914335626-FP8CTEAZVEDSKIMZVQXJ/recessbrendan572.jpg ampersand - Surface Tensions | Brendan Fernandes on surfaces, aesthetics, art, race, and play https://www.womenandperformance.org/ampersand/28-2-beth-kurkjian monthly 0.5 2018-06-11 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1528742590076-215BY8T9I06H9Q7MC197/Kurkjian_Fire_Scorpion.JPG ampersand - Poems between Dragons | Beth Kurkjian Fire Scorpion (2017). Courtesy of the author's ten-year-old son, Charlie. https://www.womenandperformance.org/ampersand/28-2-shaka-mcglotten-network monthly 0.5 2018-05-21 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1525901944054-1VGIYJ9CJMY8XSFZSQTH/McGlotten_Snapcode_29.2.png ampersand - Life in the Network | Shaka McGlotten Figure 1: The author’s NSFW Snapcode. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1525900503212-TJQJ4PS3HOOZN1RFHS4K/McGlotten_Tantalum_Mine_29.2.jpg ampersand - Life in the Network | Shaka McGlotten Figure 3: Artisanal Miners at a Tantalum Mine in the Democratic Republic of the Congo. (Wikimedia Commons, https://bit.ly/2FkkY5d) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1525901972650-ETCAI7VT30XB14NXMOPH/McGlotten_Cables_29.2.jpg ampersand - Life in the Network | Shaka McGlotten Figure 5: Cross cut of a fiber optic cable at the 2017 Venice Biennale Nordic Pavilion. Photo by the author. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1525901998655-XWLL180RRE5YK2K2W0LO/McGlotten_Moves_metadata_29.2.png ampersand - Life in the Network | Shaka McGlotten Figure 6: A screen capture of the author’s Moves metadata. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1526909070168-E2VUHDMTCSEH2DCY9ZLH/Fig4_AdamSeymour.jpg ampersand - Life in the Network | Shaka McGlotten Figure 4. A small few of artist Adam Seymour’s series of Grindr portraits. Used with permission of the artist. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1525900196769-734094VVF3QQ9MW3RNRY/McGlotten_Star_Wars_Bionic_Hand_29.2.jpg ampersand - Life in the Network | Shaka McGlotten Figure 2: Star Wars Bionic Hand. (Wikimedia Commons: 3D printed prosthetic hand made by Open Bionics in collaboration with ILM XLab, https://bit.ly/2vOSMrF) https://www.womenandperformance.org/ampersand/28-1-hernandez monthly 0.5 2018-03-23 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1521825348485-V1VAPOFEP2EBJOADLDTN/7_Backinthelab.png ampersand - Beauty marks: the Latinx surfaces of loving, becoming, and mourning | Jillian Hernandez Figure 7. Instagram posts by M. Tony Peralta. Images courtesy of M. Tony Peralta. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1521826131069-EPMPRNO4Q2NNCJ9FOZB0/rwap_a_1430889_f0002_c.jpeg ampersand - Beauty marks: the Latinx surfaces of loving, becoming, and mourning | Jillian Hernandez Figure 2. Jillian Hernandez, What the moon, the beauty mark, and the wasp told the Arbus Estate, 2018. Ink on paper. Image courtesy of the author. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1521825813621-DX5LP1UPPO7DB28EMOSL/3_SocorroyReynalda.jpg ampersand - Beauty marks: the Latinx surfaces of loving, becoming, and mourning | Jillian Hernandez Figure 3. Patricia Zambrano, Socorro y Reynalda (Para Frida y Chavela), 2017. Image courtesy of Patricia Zambrano. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1521587854594-FRO78ZI96UN0HTCX349A/5_authorsgrandmother.png ampersand - Beauty marks: the Latinx surfaces of loving, becoming, and mourning | Jillian Hernandez Figure 5. Photograph of the author’s grandmother with partner cut out. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1521825645684-D4FOSVWQ88S5A8ZWHVND/1_Abuelitas+Rebellion+.png ampersand - Beauty marks: the Latinx surfaces of loving, becoming, and mourning | Jillian Hernandez Figure 1. Instagram post by @mujeristamarket, August 19, 2016. Model: Claire @Cacophonyyy. Image courtesy of Mujerista Market. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1521825404945-G4LCKIXON1PW96L4A3KZ/10_Yourfacewillhuntmeforever.png ampersand - Beauty marks: the Latinx surfaces of loving, becoming, and mourning | Jillian Hernandez Instagram post by @anythingforselenaaas. Photograph with her mother as infant with the caption “your face will haunt me forever.” Image courtesy of Selena Ruiz. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1521825924436-ZWH1XSZS7N44PVCMO96C/11_LaGoonyChonga.png ampersand - Beauty marks: the Latinx surfaces of loving, becoming, and mourning | Jillian Hernandez Figure 11. Instagram post by @lagoonychonga, pictured here with @anythingforselenaaas and @auntyokaaay. Image courtesy of Lagoony Chonga. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1521826259769-RN2EA8S2D2DG780IJT8S/12_prayinghands1.png ampersand - Beauty marks: the Latinx surfaces of loving, becoming, and mourning | Jillian Hernandez Figure 12. Zahira Kelly, Praying Hands, 2017. Image courtesy of Zahira Kelly. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1521825315218-6VSU23TWIRG6IAZDXBON/8_PeraltaMothersDa.png ampersand - Beauty marks: the Latinx surfaces of loving, becoming, and mourning | Jillian Hernandez Figure 7. Instagram posts by M. Tony Peralta. Images courtesy of M. Tony Peralta. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1521587864491-VZD7M9WJS7MXNN1OKZSI/6_authorasinfant.png ampersand - Beauty marks: the Latinx surfaces of loving, becoming, and mourning | Jillian Hernandez Figure 6. Photograph of the author as infant with her grandmother. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1521825388746-RRPFRJWAGTWDBG94VV1S/9_Goodtime.png ampersand - Beauty marks: the Latinx surfaces of loving, becoming, and mourning | Jillian Hernandez Instagram post by @anythingforselenaaas: “here 4 a good time not a long time.” Image courtesy of Selena Ruiz. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1521827513593-KO4DTTK5MP3XDOCWH40H/4_Ofrendx.jpeg ampersand - Beauty marks: the Latinx surfaces of loving, becoming, and mourning | Jillian Hernandez Figure 4. Photo documentation of Patricia Zambrano’s performance work Ofrendx, 2017. Image courtesy of Erika Hirugami and CuratorLove. https://www.womenandperformance.org/ampersand/general-sisters-27-3 monthly 0.5 2017-10-28 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508871599864-Q7FWM2OX5DINSCL7LT4Q/General_sisters_27_3_5702.jpg ampersand - General Sisters, General Store | Liz Park https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508871710495-73BHWEAYRCVBG16SIBPE/IMG_5702.jpg ampersand - General Sisters, General Store | Liz Park Preparing for a meal, 10 April 2017. Photo by Colter Harper https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508871706135-P0LYKX19A5DYJ3460JC9/IMG_5692.jpg ampersand - General Sisters, General Store | Liz Park Preparing for a meal, 10 April 2017. Photo by Colter Harper https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508871736873-ZSCA9Y2OZ6KMP0OYT3WU/IMG_5718.jpg ampersand - General Sisters, General Store | Liz Park Preparing for a meal, 10 April 2017. Photo by Colter Harper https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1509220407588-UI8WNCP2GRON4GUN2LDD/IMG_5731.jpg ampersand - General Sisters, General Store | Liz Park A toast with General Sisters, 10 April 2017. Photo by Colter Harper https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508871719723-GBB6PYP0WABG7YWHKVIM/IMG_5749.jpg ampersand - General Sisters, General Store | Liz Park A meal with General Sisters, 10 April 2017. Photo by Colter Harper https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508871735739-F6LYCOK13II8E0XL22P4/IMG_5755.jpg ampersand - General Sisters, General Store | Liz Park A meal with General Sisters, 10 April 2017. Photo by Colter Harper https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508871749617-GIUQP413BJ269TP5OR3N/IMG_5768.jpg ampersand - General Sisters, General Store | Liz Park Ginger Brooks Takahashi showing seeds, 10 April 2017. Photo by Colter Harper https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508871747104-0MPKI6Q4WY8RA46QZ0VE/IMG_5765.jpg ampersand - General Sisters, General Store | Liz Park Dana Bishop-Root and Ginger Brooks Takahashi holding up the plan for General Sisters General Store, 10 April 2017. Photo by Colter Harper https://www.womenandperformance.org/ampersand/liz-park-27-3 monthly 0.5 2017-10-28 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508872596901-WBIZV0HAPJL9P1UK57PA/BRCM1.jpg ampersand - Big Rock Candy Mountain | Liz Park - Vanessa Kwan and Hannah Jickling preparing brunch, April 24, 2017. Photo by Liz Park Vanessa Kwan and Hannah Jickling preparing brunch, April 24, 2017. Photo by Liz Park https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508872616012-U02XIB6CONMOGUC2HF7T/BRCM2.jpg ampersand - Big Rock Candy Mountain | Liz Park Vanessa Kwan and Hannah Jickling preparing brunch, April 24, 2017. Photo by Liz Park https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508872913458-C4QHIWZF0E5TVHPS3GNV/bubblegum.jpg ampersand - Big Rock Candy Mountain | Liz Park - Bubblegum (Tall Tale) Big Rock Candy Mountain, Tall Tale (Division 7, 2016). Art by Hannah Jickling and Helen Reed https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508873022831-9B8K5SIFSPMKL3OD81LB/candycane.jpg ampersand - Big Rock Candy Mountain | Liz Park - Candy Cane (Tall Tale) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508873205754-18UQJJJ0MKVUFBCM4BSP/ringpop.jpg ampersand - Big Rock Candy Mountain | Liz Park - Ringpop (Tall Tale) Big Rock Candy Mountain, Tall Tale (Division 7, 2016). Art by Hannah Jickling and Helen Reed https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508873414074-ITY3W9NLI63YNUZ4WOO4/general_sisters_27_3_SOURVSSOUR.jpg ampersand - Big Rock Candy Mountain | Liz Park SOUR VS SOUR Chocolate Bar by Hannah Jickling, Helen Reed and Mrs. Wongs’s 2015/2016 Division Six students of Queen Alexandra Elementary School: Anna, Cami, Celest, Charlotte, Coebe, Daniella, Danielle, Derrick, Edwin, Emi, Justice, Kim, Linden, Nicholas, Nico, Ruby and Tessa. Limited edition chocolate bar produced by East Van Roasters chocolatiers, Vancouver, Canada https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508873484942-A5B2TT2ZZVYTWOVC8ZUV/tastemakers.jpg ampersand - Big Rock Candy Mountain | Liz Park Big Rock Candy Mountain, (Website detail, 2017). Art by Hannah Jickling and Helen Reed https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508873323540-M861OL5AYSURZP4IQUDJ/Instagram1.jpg ampersand - Big Rock Candy Mountain | Liz Park https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508873334649-9FEMWYB5JO2VXK1E35T6/Instagram2.jpg ampersand - Big Rock Candy Mountain | Liz Park https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508873345968-H3VZT9MEC9HSBW1E3TUI/Instagram3.jpg ampersand - Big Rock Candy Mountain | Liz Park https://www.womenandperformance.org/ampersand/julietta-singh-27-3 monthly 0.5 2017-10-24 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508700658125-Z0Q1E9XCMAJY9Q0SEPTF/exploding+head.jpg ampersand - Interview for Another World | Julietta Singh Image courtesy of Julietta Singh https://www.womenandperformance.org/ampersand/damali-abrams-27-3 monthly 0.5 2017-10-27 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508692619332-ZCRCCN6Z6OT035K3HTJO/DamaliAbramsBanishingBindingIncantation.jpg ampersand - Banishing | Binding | Incantation | Damali Abrams https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508792683399-SF3U1FDREFSVGSQ01MB8/DamaliAbramsGlitterPriestessXMelissaStaiger2.jpg ampersand - Banishing | Binding | Incantation | Damali Abrams https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508792693750-O31CVPRX7RPUF63P8B4C/DamaliAbramsGlitterPriestessXMelissaStaiger%281%29.jpg ampersand - Banishing | Binding | Incantation | Damali Abrams https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508792700432-0VKCY38IFJ1WLP6FSX62/DamaliAbramsGlitterPriestessXMariaHupfieldIMG_2389.JPG ampersand - Banishing | Binding | Incantation | Damali Abrams https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508792700808-KLX7W24N54O1C41A2UA0/DamaliAbramsGlitterPriestessXAyanaEvans.jpg ampersand - Banishing | Binding | Incantation | Damali Abrams https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508792701251-OQN9R40U3K2OA42JMBV3/DamaliAbramsGlitterPriestessSaltLakexJorgeRojas.jpg ampersand - Banishing | Binding | Incantation | Damali Abrams https://www.womenandperformance.org/ampersand/shirley-kaneda-27-3 monthly 0.5 2017-10-22 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508629547674-6GOA0O8EZ385DSZ3UXR2/Jaffe_Adria%27s+Green_2014_oil+on+canvas_28.75x23.5in+%2873x60+cm%29_TIFF.jpg ampersand - The Feminine in Abstract Painting Reconsidered | Shirley Kaneda Figure 1. Shirley Jaffe, Adria’s Green (2014). Oil on canvas, 28 ¾ x 23 ½ inches (73×60 cm). © Shirley Jaffe. Courtesy of The Estate of Shirley Jaffe and Tibor de Nagy Gallery, New York. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508692056879-LTBMM5U3JFRG0HQB2SMN/GUSTO73660-hires_1.jpg ampersand - The Feminine in Abstract Painting Reconsidered | Shirley Kaneda Figure 4. Philip Guston, Portrait I (1965). Oil on canvas, 68 3/8 × 78 inches (173.7 × 198.1 cm). The Estate of Philip Guston. Courtesy of Hauser & Wirth. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508630057258-WZ5T62ZSKWUK0V56FYI8/image-asset.jpeg ampersand - The Feminine in Abstract Painting Reconsidered | Shirley Kaneda Figure 2. Carrie Moyer, String Theory + Daisy Chains (2016). Acrylic and glitter on canvas, 96 × 78 inches (243.8×198.1 cm). © Carrie Moyer. Courtesy of DC Moore Gallery, New York. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508697348138-917NH60ZBYSM4ZSFTWAL/Arts-magazine-1991.jpg ampersand - The Feminine in Abstract Painting Reconsidered | Shirley Kaneda "Painting and its Others," as published in Arts Magazine, Summer 1991. Cover image: Mary Heilmann, Mode O'Day (1991). Oil on canvas, 54 x 64 inches. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508692024548-QJ1TIHQY3GNK4YWZ2VVO/Amy_Sillman_15741.jpg ampersand - The Feminine in Abstract Painting Reconsidered | Shirley Kaneda Figure 3. Amy Sillman, Back of a Horse Costume×2 (2015–16). Oil on canvas, 75 × 66 inches (190.5 × 167.6 cm). © Amy Sillman. Courtesy of the artist and Gladstone Gallery, New York and Brussels. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508630579430-4ZKBZYMYT8II0FO7AQL5/KimberSmith.jpg ampersand - The Feminine in Abstract Painting Reconsidered | Shirley Kaneda Figure 5. Kimber Smith, Friday the Fourtheenth (1979). Acrylic on canvas, 64 x 68 inches (162.5 x 12.75 cm). Copyright Kimber Smith. Courtesy of the Estate of Kimber Smith, New York. https://www.womenandperformance.org/ampersand/katherine-cooper-27-3 monthly 0.5 2017-10-21 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508624272161-NWCTEX28CZ5AKORTBEKS/Katherine+Cooper+2.jpg ampersand - Reflections on Megan Young's Cloud of Whiteness, Cleveland Ohio, 2017 | Katherine Cooper Image courtesy of Megan Young, http://www.meglouise.info/ https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1508624220718-BSHD2FJA7S49RW7PE38Z/Katherine+Cooper+1.jpg ampersand - Reflections on Megan Young's Cloud of Whiteness, Cleveland Ohio, 2017 | Katherine Cooper Image courtesy of Megan Young, http://www.meglouise.info/ https://www.womenandperformance.org/ampersand/mario-lamothe-27-2 monthly 0.5 2017-07-06 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1497899292358-YH6V2QSG2CGAJ5S3CGYR/LaMothe1.jpg ampersand - Our Love on Fire: Gay Men's Stories of Violence and Hope in Haiti | Mario LaMothe - Ring exchange, engagement ceremony, August 10, 2013 Photo courtesy of Josué Azor. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1497899292529-KMZPYW63056SJBZHEBCJ/LaMothe2.jpg ampersand - Our Love on Fire: Gay Men's Stories of Violence and Hope in Haiti | Mario LaMothe - Guest, engagement ceremony, August 10, 2013 Photo courtesy of Josué Azor https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1497899292571-V8WAJ8P5L1S9CBZSO4JT/LaMothe3.jpg ampersand - Our Love on Fire: Gay Men's Stories of Violence and Hope in Haiti | Mario LaMothe - Leaving the ceremony, August 10, 2013 Photo courtesy of Josué Azor https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1497899292718-YD1QKSGC530T52R2SNN4/LaMothe4.jpg ampersand - Our Love on Fire: Gay Men's Stories of Violence and Hope in Haiti | Mario LaMothe - A guest’s burning car, near the Red Cross building, August 10, 2013 Photo courtesy of Josué Azor https://www.womenandperformance.org/ampersand/josue-azor-27-2 monthly 0.5 2017-07-06 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1497895031238-ZGCH36FX2TH184X9VXPR/AzorImage6.jpg ampersand - Documenting Spaces of Liberation in Haiti | Josué Azor - Noctambules Series, 2014 Figure 1 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1497894984689-CP6F7SNNZC7KBVOBF1QW/AzorImage4.jpg ampersand - Documenting Spaces of Liberation in Haiti | Josué Azor - Noctambules Series, 2016 Figure 2 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1497895031273-RR1SOC4BUGN1YE3G7UGB/AzorImage5.png ampersand - Documenting Spaces of Liberation in Haiti | Josué Azor - Noctambules Series, 2015 Figure 3 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1497894976385-AELOH81E2595WX59OAEB/AzorImage1.jpg ampersand - Documenting Spaces of Liberation in Haiti | Josué Azor - Noctambules Series, 2016 Figure 4 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1497894976615-5LB7EP1L8K2MGQN06G0Z/AzorImage2.jpg ampersand - Documenting Spaces of Liberation in Haiti | Josué Azor - Gason Solid Series, 2016 Figure 5 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1497894977206-YSWQJL05YT4QMJMSE1CW/AzorImage3.jpg ampersand - Documenting Spaces of Liberation in Haiti | Josué Azor - Poster for Erotes exhibition, 2016 Figure 6 https://www.womenandperformance.org/ampersand/sophonie-bazile-27-2 monthly 0.5 2017-07-06 https://www.womenandperformance.org/ampersand/kantara-souffrant-27-2 monthly 0.5 2017-07-06 https://www.womenandperformance.org/ampersand/lenelle-moise-27-2 monthly 0.5 2017-07-06 https://www.womenandperformance.org/ampersand/lescot-magloire-smith-27-2 monthly 0.5 2017-10-23 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1497644934628-297VT3IHUK2SHICYI6UL/Lescot-27.2 ampersand - Reflections on the 15th Anniversary of the Documentary Film Of Men and Gods/ Des hommes et Dieux, 2002 | Interview with Anne Lescot and Laurence Magloire, Introduced by Katherine Smith. https://www.womenandperformance.org/ampersand/myron-beasley-27-2 monthly 0.5 2017-10-23 https://www.womenandperformance.org/ampersand/jean-elie-gilles-27-2 monthly 0.5 2017-07-06 https://www.womenandperformance.org/ampersand/charlotte-hammond-27-2 monthly 0.5 2017-10-23 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499372752459-HLIRL5P2FSJRIOMNBHOC/GORDON-006.jpg ampersand - A Cross-Dressed Kanaval | Charlotte Hammond https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499372755386-WQ58021CVEIWFOIN2FGB/P087.jpg ampersand - A Cross-Dressed Kanaval | Charlotte Hammond Bouzin Rèd Genyen SIDA | Tough Whore has AIDS, 2000 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499372758953-BS0UCQYNPYH34YQ85T94/X_KANAVAL_DRAG_02_V2.jpg ampersand - A Cross-Dressed Kanaval | Charlotte Hammond Bouzin Rèd Genyen SIDA | Tough Whore has AIDS, 2000 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499372749971-8UBWNZ32AR411TF1FAMA/Madanm+Lasiren.jpg ampersand - A Cross-Dressed Kanaval | Charlotte Hammond Madanm Lasirèn | Madame Mermaid, 2003 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499372765840-Z7QBPNIJC4UVYOOAUSJ4/X_KANAVAL_DRAG_03_V1.jpg ampersand - A Cross-Dressed Kanaval | Charlotte Hammond De nèg pote Wob | Two Men in Dresses, 2009 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499372763764-4FO8I9Z2H8WFFL6I1LWS/X_KANAVAL_DRAG_04_V1.jpg ampersand - A Cross-Dressed Kanaval | Charlotte Hammond De nèg pote Wob | Two Men in Dresses, 2009 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499372743576-A6GHCXG9O1UOZSFP4I21/KANAVAL_DRAG_07_V1.jpg ampersand - A Cross-Dressed Kanaval | Charlotte Hammond Nèg mete makiyaj | Man puts on Makeup, 2003 https://www.womenandperformance.org/ampersand/leah-gordon-27-2 monthly 0.5 2017-07-06 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499372034296-YGK4GFYGH05FJ77BOHJP/GORDON-006.jpg ampersand - Kanaval | Leah Gordon Nèg pote Wob | Man in Dress, 1996 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499372002594-2TCLBH3JHV9LEI0FP857/P087.jpg ampersand - Kanaval | Leah Gordon Bouzin Rèd Genyen SIDA | Tough Whore has AIDS, 2000 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499372012315-D9R2E3XNUSK9KAYGAQPX/X_KANAVAL_DRAG_02_V2.jpg ampersand - Kanaval | Leah Gordon Bouzin Rèd Genyen SIDA | Tough Whore has AIDS, 2000   https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499371997641-IHPDRBFYL6P8ORDJV7HP/Madanm+Lasiren.jpg ampersand - Kanaval | Leah Gordon Madanm Lasirèn | Madame Mermaid, 2003 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499372008092-1LWMN5DB58BPI5GB84B1/X_KANAVAL_DRAG_03_V1.jpg ampersand - Kanaval | Leah Gordon De nèg pote Wob | Two Men in Dresses, 2009 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499372013510-BN5E16DJC0VWJNH4BSE1/X_KANAVAL_DRAG_04_V1.jpg ampersand - Kanaval | Leah Gordon De nèg pote Wob | Two Men in Dresses, 2009 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499371999047-QO8Q5Q3CVQUWL5L3FPMN/KANAVAL_DRAG_07_V1.jpg ampersand - Kanaval | Leah Gordon Nèg mete makiyaj | Man puts on Makeup, 2003 https://www.womenandperformance.org/ampersand/kristin-adele-okoli-27-2 monthly 0.5 2017-10-23 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1497563548175-HV9DAOZW10SCHVQHOWQV/kwynn-johnson-ampersand-27.2 ampersand - Hadriana in Muscular Monochrome: Kwynn Johnson’s Queer Dreamscape of Jacmel | K. Adele Okoli Kwynn Johnson. Hadriana dans tous mes rêves, 2011. Graphite on Vellum, 2x3 ft. Exhibition: How the Light Enters (2013, Trinidad & Haiti). https://www.womenandperformance.org/ampersand/kwynn-johnson-27-2 monthly 0.5 2017-10-23 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1499377069129-YCQL7LNXJHU4WK6VVEIW/Kwynn_Johnson_Hadriana_27.2 ampersand - Hadriana dans tous mes rêves | Kwynn Johnson Kwynn Johnson. Hadriana dans tous mes rêves, 2011. Graphite on Vellum, 2x3 ft. Exhibition: How the Light Enters (2013, Trinidad & Haiti). https://www.womenandperformance.org/ampersand/scatting-davis-27-1 monthly 0.5 2017-07-06 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1490204943049-FQO2RQJUME2E4OU4SSZF/27-1-Davis ampersand - Scatting | Sonia Louise Davis Assorted graphic scores on paper, glass and fabric, 2015–2016. © Sonia Louise Davis https://www.womenandperformance.org/ampersand/category/soyoungyoon monthly 0.5 2017-03-21 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487379063695-J26O39UEADQSMHLSSPEE/image-asset.jpeg ampersand - Judith Scott’s What is Property?: An Inquiry into Principles of Dependency, Propriety and Self-Possession of an ‘Outsider’ Artist | Soyoung Yoon https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487378971731-R4CZPFSPOQXAT9PCPDX0/image-asset.jpeg ampersand - Judith Scott’s What is Property?: An Inquiry into Principles of Dependency, Propriety and Self-Possession of an ‘Outsider’ Artist | Soyoung Yoon https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487378933289-C24JA1WBGTPAYTTFPGDN/image-asset.jpeg ampersand - Judith Scott’s What is Property?: An Inquiry into Principles of Dependency, Propriety and Self-Possession of an ‘Outsider’ Artist | Soyoung Yoon https://www.womenandperformance.org/ampersand/alanruiz monthly 0.5 2017-06-21 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487350763705-A6QB6SC8T51ND8LOURDB/Charlotte+Posenenske%2C+Series+D+Vierkantrohre+%28Square+Tubes%29+%2C+1967%2C+First+configuration%2C+June+23+%E2%80%93+July+5%2C+2010.++Photo%3A+Daniel+Per%C3%A9z.++Image+courtesy+of+Artists+Space. ampersand - Radical Formalism | Alan Ruiz Charlotte Posenenske, Series D Vierkantrohre (Square Tubes) , 1967, First configuration, June 23 – July 5, 2010. Photo: Daniel Peréz. Image courtesy of Artists Space. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487351097771-SI4E0GIVH5XZASL71U7O/Charlotte+Posenenske%2C+Series+D+Vierkantrohre+%28Square+Tubes%29+%2C+1967%2C+First+configuration%2C+June+23+%E2%80%93+July+5%2C+2010.++Photo%3A+Daniel+Per%C3%A9z.+Image+courtesy+of+Artists+Space. ampersand - Radical Formalism | Alan Ruiz Charlotte Posenenske, Series D Vierkantrohre (Square Tubes) , 1967, First configuration, June 23 – July 5, 2010. Photo: Daniel Peréz. Image courtesy of Artists Space. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487350587895-2U124SFC4BWN9MRK2V9V/Alan+Ruiz.+Hunter+Green+1390.+2016.+Courtesy+of+the+artist. ampersand - Radical Formalism | Alan Ruiz Alan Ruiz. Hunter Green 1390. 2016. Courtesy of the artist. https://www.womenandperformance.org/ampersand/dykeactionmachine monthly 0.5 2017-02-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487531769519-CU8W50RJIBH8M95G8V9F/image-asset.jpeg ampersand - Family Circle (1992) | Dyke Action Machine https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487531715432-YF1MMOC7IHKF1G49NTR6/image-asset.jpeg ampersand - Family Circle (1992) | Dyke Action Machine https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487379560897-4P6YOKUPA2RG7EDQ1CSD/Dyke+Action+Machine%21+Family+Circle%2C+1992.+Courtesy+of+the+artists ampersand - Family Circle (1992) | Dyke Action Machine Dyke Action Machine! Family Circle, 1992. Courtesy of the artists https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487531693468-M6X0ANW1QT20BBHJPYHL/image-asset.jpeg ampersand - Family Circle (1992) | Dyke Action Machine https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487531749857-4GJBV0XOGFMA2VS70F5Z/1992_family_env.jpg ampersand - Family Circle (1992) | Dyke Action Machine https://www.womenandperformance.org/ampersand/julianahuxtable monthly 0.5 2017-02-17 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487349061511-CCHP1IVHA04F2E6075VQ/Juliana+Juxtable%2C+Untitled+%28HM2%29%2C+2016%2C+oil%2C+acrylic%2C+inkjet+print+on+canvas+and+mylar%2C+30+in.+x+40+in.%2C+courtesy+the+artist+and+186f+Kepler ampersand - UNTITLED (LINES BODIES) | Juliana Huxtable Untitled (HM2), 2016, oil, acrylic, inkjet print on canvas and mylar, 30 in. x 40 in., courtesy the artist and 186f Kepler https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1487348920347-BI30KPWOW3E6E9EFSWR2/Juliana+Huxtable%2C+Untitled+%28HM1%29%2C+2016%2C+oil%2C+acrylic%2C+inkjet+print+on+canvas+and+mylar%2C+30+in.+x+40+in.%2C+courtesy+the+artist+and+186f+Kepler ampersand - UNTITLED (LINES BODIES) | Juliana Huxtable Untitled (HM1), 2016, oil, acrylic, inkjet print on canvas and mylar, 30 in. x 40 in., courtesy the artist and 186f Kepler https://www.womenandperformance.org/ampersand/tasha-bjelic monthly 0.5 2016-12-31 https://www.womenandperformance.org/ampersand/tom-burr monthly 0.5 2017-02-17 https://www.womenandperformance.org/ampersand/ampersand-articles/spic-in-ecdysis-a-series-by-xandra-ibarra.html monthly 0.5 2018-11-27 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1486937612832-LQZKGN6WBV2562EYCO77/Carcass_Ibarra.jpg ampersand - Spic in Ecdysis | A series by Xandra Ibarra Carcass (2014) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389792411-GZG0F2HXNERF2XUM44PP/image-asset.jpeg ampersand - Spic in Ecdysis | A series by Xandra Ibarra SwimmingPool (2014) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389791473-M6GILV6Y26LPMNT1VR8C/300Cropped-Molting-Tortillera1.jpg ampersand - Spic in Ecdysis | A series by Xandra Ibarra Cropped Molting Tortillera https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389791877-D6CA56G8C4GHTK0WOK8Y/300Leaves1.jpg ampersand - Spic in Ecdysis | A series by Xandra Ibarra Leaves https://www.womenandperformance.org/ampersand/uncategorized/between-the-ground-and-the-sky-daniel-sander.html monthly 0.5 2018-11-27 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389793964-HQWM6J6G1ICLIPXAAZLW/Image3.png ampersand - BETWEEN THE GROUND AND THE SKY | Daniel Sander Roni Horn, "Paired Gold Mats, for Ross and Felix," 1994-5. Gold, 49 x 60 x .0008 in. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389792977-D4D1C631Y9WTY01XBGKN/Image1.png ampersand - BETWEEN THE GROUND AND THE SKY | Daniel Sander Robert Smithson, Leaning Mirror, 1969. Sand and two mirrors, 30 x 108 x 144 in. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389793260-RYGH89QK14HWTIR90JTY/Image2.png ampersand - BETWEEN THE GROUND AND THE SKY | Daniel Sander Félix González-Torres, "Untitled (Placebo — Landscape — for Roni)," 1993. Candies, individually wrapped in gold cellophane, endless supply, Ideal weight: 1,200 lbs., overall dimensions vary with installation. https://www.womenandperformance.org/ampersand/uncategorized/mixtape-by-alexandra-t-vazquez.html monthly 0.5 2018-11-27 https://www.womenandperformance.org/ampersand/ampersand-articles/queer-subjects-of-latinao-psychoanalysis.html monthly 0.5 2017-01-04 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389792479-JF6P36UKEAC43IELM0JE/Hirsh-_Fig1--237x300.jpg ampersand - Queer Subjects of Latina/o Psychoanalysis "Untitled (Orpheus Twice)" by Felix Gonzalez-Torres 1991 https://www.womenandperformance.org/ampersand/uncategorized/the-ideal-rock-roll-song-is-3-minutes-long-rachel-ellis-neyra.html monthly 0.5 2018-12-10 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389794099-KQVRMRGA8W9C4J1DFVZV/Screen-Shot-2016-04-28-at-7.58.05-AM.png ampersand - The ideal rock & roll song is 3 minutes long | Ren (Rachel) Ellis Neyra https://www.womenandperformance.org/ampersand/ampersand-articles/you-should-have-the-body-melissa-jordan.html monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389788755-SK4GDGPDSHOTW8E0L1P5/unnamed-41-1024x768.jpg ampersand - You should have the body | Melissa Jordan https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389788777-QPXPFLO8LLINH54PJV6Y/unnamed-51-1024x768.jpg ampersand - You should have the body | Melissa Jordan https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389789592-I6AB594MNG3XJWTL9F19/unnamed-7-1024x768.jpg ampersand - You should have the body | Melissa Jordan https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389786771-40ACV09MMPGPPJ997UOO/unnamed-31-1024x768.jpg ampersand - You should have the body | Melissa Jordan https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389785972-MUMHTYO604OBWR6IR8SC/unnamed-11-1024x768.jpg ampersand - You should have the body | Melissa Jordan https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389786404-SI8KHWSYRS38G2MKIHU6/unnamed-21-1024x768.jpg ampersand - You should have the body | Melissa Jordan https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389790780-KJS96NIZBFKQT5I68LGC/unnamed1-1024x768.jpg ampersand - You should have the body | Melissa Jordan https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389789263-CHETRDKDNSYC4TXF55PH/unnamed-6-1024x768.jpg ampersand - You should have the body | Melissa Jordan https://www.womenandperformance.org/ampersand/ampersand-articles/sexting-girls-technological-sovereignty-and-the-digital.html monthly 0.5 2019-01-19 https://www.womenandperformance.org/ampersand/ampersand-articles/cynthia-olivers-boom-and-dean-mosss-johnbrown.html monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389784087-5P09ANRBH9OI295ZV4WY/141022_Cynthia_Oliver_015-1024x788.jpg ampersand - Cynthia Oliver's BOOM! and Dean Moss’s johnbrown “BOOM!”; Leslie Cuyjet & Cynthia Oliver / Photo by Yi-Chun Wu https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389785176-WF6XIKDEE4IKC0U5BIDK/75X9699-1024x684.jpg ampersand - Cynthia Oliver's BOOM! and Dean Moss’s johnbrown Photo by Ian Douglas https://www.womenandperformance.org/ampersand/ampersand-articles/trisha_low_hunting_season.html monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389781377-CGK4P4H3XFBD3BMCGQSB/4.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389778112-QTMXRRIQ0G77HL2459WU/14.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389779884-I4Q5WOFFLESRONPWNQMZ/17.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389776478-C78GIGCG9AL4B3MUDOKW/1.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389784026-UNG66SFBGB5G8KY8JJDS/8.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389780695-5YHU0UBOBRZS45C7UG8B/2.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389782613-38N8G00C2TZIN8DO7X7L/5.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389780369-OP93BNKH3L8NZ91AV9I2/19.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389780290-IQUKHBX2TKMUWST361VP/18.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389783878-MVZZ3FBEDUMQDJ7VOK9Z/9.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389777090-0MESBBE6H9U2HTRS9PPF/10.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389782853-QNVJKZFLTNWHBIRV89DH/7.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389780990-T1UDGX43ENEZVCJHJZTX/20.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389781073-0Z7PP9L9QRJB33ABBWXD/3.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389777613-DU89QDB692DH62S4VOP8/13.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389777179-G32XSVQE6DIFRACJBNM1/11.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389777500-YFHQY6N5ENBSEJE3KJHF/12.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389778188-PPZX62K9QJ8967ODBXYA/15.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389782729-BHW1RSUN7J7MGZI9304D/6.png ampersand - Hunting Season | Trisha Low https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389778677-N3AULLOTR818HOWQ989B/16.png ampersand - Hunting Season | Trisha Low https://www.womenandperformance.org/ampersand/ampersand-articles/an-interview-with-artist-pope-l-by-rizvana-bradley.html monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389771877-IZEP2DLNC7LGVEVFYM3B/KW_3325_small_big.jpg ampersand - An Interview with Artist, Pope. L | Rizvana Bradley William Pope.L, Well (detail), 2013. 3 glasses of water on 3 shelves (from Forlesen) https://www.womenandperformance.org/ampersand/ampersand-articles/ten-theses-on-touch-or-writing-touch-hypatia-vourloumis.html monthly 0.5 2019-01-19 https://www.womenandperformance.org/ampersand/ampersand-articles/on-making-haptic-drawings-accordion-fold-books-stephen-vincent.html monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389772627-DCW16ZIFAJLRQAPFG31R/VIncent_8_Anatolia.jpg ampersand - On Making Haptic Drawings & Accordion Fold Books | Stephen Vincent Stephen Vincent. Haptics: Anatolia: Ibrahimpasa, Ortahisar, Ürgüp, and Konya (2012). Ink, 6 x 9", 40 panels/18 sites/18 drawings. Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389773378-UUBZYVMXBE1R6TK3DRAC/Vincent_3_Fanny-Howe-e1422851390220.jpg ampersand - On Making Haptic Drawings & Accordion Fold Books | Stephen Vincent Stephen Vincent. Haptic: Fanny Howe’s George Oppen Memorial Lecture, S.F. State Poetry Center (2008). Ink on paper, 11 x 8.5". Courtesy of the Artist. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389774812-L7EN23I1MYG3YVW9W78J/Vincent_6_The-Novel.jpg ampersand - On Making Haptic Drawings & Accordion Fold Books | Stephen Vincent Stephen Vincent. Haptics: The Novel (2011), Ink drawings attached to twenty six 9.5 x 12” panels on both sides of two 12” and four 36” accordion fold extensions; bound in handmade paper over board in clam shell box bound in silk over board; 8.5 x 11”. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389774985-353GWM2GJGSUY9FK2G1M/Vincent_7_Grid.jpg ampersand - On Making Haptic Drawings & Accordion Fold Books | Stephen Vincent Stephen Vincent. Grid: Haptic Markings on Ficus Trees, San Francisco (2010). Photographs. 8.5 x 11”. Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389772185-TYXMSH3UJ6IEGR8NGUT9/VIncent_2_Renee-Gladman-e1422851330924.jpg ampersand - On Making Haptic Drawings & Accordion Fold Books | Stephen Vincent Stephen Vincent. Haptic: Rene Goldman, poet/novelist, reading at the Poetry Center, San Francisco State University (2009). Ink on paper, 11 x 8.5". Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389774079-NAU3AMVT1OTMIBN4LVHU/Vincent_4_Accrual-e1422851466788.jpg ampersand - On Making Haptic Drawings & Accordion Fold Books | Stephen Vincent Stephen Vincent. Haptic: Accrual, Verso / Recto, San Francisco (2012). Ink on paper, 17 x 11.5”. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389774478-ONQTW3BHHN3VBXAVVSV9/Vincent_5_Times-Square-e1422851538343.jpg ampersand - On Making Haptic Drawings & Accordion Fold Books | Stephen Vincent Stephen Vincent. Haptics: Times Square (2011), Ink, 3.25 x 9.5", 50 panels/3 sites/23 drawings. Slipcase and book bound in silk over board. Courtesy of the Artist. For several days I situated my pens, clipboard and pens either sitting at tables on the sidewalk and, for the most part, at a table on the mezzanine floor of McDonalds. There I could look out on the street, or up to the LED screens advertsing coming summer fashion and previews of new movies. Simultaneously I listened and made my haptics in response to the conversations of restaurant staff and customers and local tradesment.backgounded by a sound system which played endless of songs from Broadway musicals the lyrics of many of which celebrated the aspirations of young and hopeful stars and lovers. The drawing work was to stay on the pulse of everything from the dropped fork to Barbara Streisand’s voice rising to the highest ocatave. This is probably one of my most lyric works. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389773286-SWGVRJTQ4LRAJOGI8G2H/Vincent_1_My-mother-e1422851220759.jpg ampersand - On Making Haptic Drawings & Accordion Fold Books | Stephen Vincent Stephen Vincent. Haptic: My Mother Breathing Into the Infinite (2010). (Ink on Paper, 12 x 8.5”). Collection of Jane Reed. Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389775089-HGI742PQTLZ6PMUVEPH6/Vincent_9_Yucatan.jpg ampersand - On Making Haptic Drawings & Accordion Fold Books | Stephen Vincent Stephen Vincent. Haptic: On Yucatan Cactus Paper, #1 (2014). Ink, 17 x 12.5”. Courtesy of the artist https://www.womenandperformance.org/ampersand/ampersand-articles/chronophiliachronophobia-monalisa-gharavi.html monthly 0.5 2019-01-30 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389776089-2UT2R9IDR9MAEA12U070/chrono-chrono-still-image-e1422848848120.jpg ampersand - Chronophilia/Chronophobia | Maryam Monalisa Gharavi Still from Chronophilia/Chronophobia, 2013, by Maryam Monalisa Gharavi. https://www.womenandperformance.org/ampersand/ampersand-articles/the-haptic-a-playlist-by-fred-moten.html monthly 0.5 2017-01-04 https://www.womenandperformance.org/ampersand/rizvana-bradley-1 monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389771116-OQ6VOKAM2BKYZ4KEGZOU/Vincent_Brandenburg_1-e1422425827679.jpg ampersand - Other Sensualities | Rizvana Bradley Cover Drawing by Stephen Vincent, Under Brandenburg Gate #1, 2010 (Ink on paper, 22 x 30”) https://www.womenandperformance.org/ampersand/ampersand-articles/teaser-the-haptic-a-special-issue-of-wp-edited-by-rizvana-bradley.html monthly 0.5 2017-01-04 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389770997-XC81MSNNA242FOIZIQDM/Vincent_Brandenburg_1.jpg ampersand - Teaser: The Haptic, a special issue of W&P edited by Rizvana Bradley Cover Drawing by Stephen Vincent, Under Brandenburg Gate #1, 2010 (Ink on paper, 22 x 30”) https://www.womenandperformance.org/ampersand/ampersand-articles/critical-intimacies-hip-hop-as-queer-feminist-pedagogy.html monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389769978-0VGJC661KZ7EE0KLZT20/unnamed-2.jpg ampersand - Critical intimacies: hip hop as queer feminist pedagogy | Jessica N. Pabón & Shanté Paradigm Smalls Abby TC5, Queens, 2013. Courtesy of Abby TC5 aka Abby Andrews. https://www.womenandperformance.org/ampersand/ampersand-articles/the-june-tyson-sessions-remixperiments-with-vocal-materiality-and-the-becoming-woman-of-cosmic-music.html monthly 0.5 2019-01-19 https://www.womenandperformance.org/ampersand/ampersand-articles/nicki-aesthetics-the-camp-performance-of-nicki-minaj.html monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389770800-72CY6QEC5X4CQLRXDI00/unnamed-e1400776905220.png ampersand - Nicki-aesthetics: the camp performance of Nicki Minaj | Uri McMillan https://www.womenandperformance.org/ampersand/ampersand-articles/laughing-with-katherine-cooper-and-antonia-baehr.html monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389769062-AYOHSM7VGN4C9014787Z/DSC_0081ok.jpeg ampersand - Laughing with Katherine Cooper and Antonia Baehr October 25th 2013 at Abrons Art Center https://www.womenandperformance.org/ampersand/ampersand-articles/dis-assembly-lines-gestures-situations-and-surveillances.html monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389769488-XBLEEOJBV4HG27XE5GEI/Figure-1.jpg ampersand - Dis-Assembly Lines: gestures, situations, and surveillances | Alex Pittman Figure 1 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389771146-8DWXGEQ9FWEEVEU5A7R7/Figure-2.gif ampersand - Dis-Assembly Lines: gestures, situations, and surveillances | Alex Pittman Figure 2 https://www.womenandperformance.org/ampersand/ampersand-articles/introduction_to_precarious_situations.html monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389771169-UT0BK1Z396J13LAW4ZPZ/Screen-Shot-2013-12-03-at-7.39.30-PM.png ampersand - Situating precarity between the body and the commons | Tavia Nyong'o https://www.womenandperformance.org/ampersand/ampersand-articles/all-lights-fragments-a-conversation-with-the-artist-mpa.html monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389765151-HD3FBMBTV1UOI8Q3BVEM/MPA_Benning2.jpg ampersand - All Light’s Fragments: A Conversation with the artist MPA | Katherine Brewer Ball https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389764982-R9WLIWOQL7MW1ZEZWPXJ/MPA_Benning1_larger.jpg ampersand - All Light’s Fragments: A Conversation with the artist MPA | Katherine Brewer Ball https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389768558-UOJ1CFLCLHFQRB3NEOZ4/MPA_Benning3-copy.jpg ampersand - All Light’s Fragments: A Conversation with the artist MPA | Katherine Brewer Ball https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389768483-IT6LZOIZ78ZOJEYMK47R/MPA_Benning4-copy.jpg ampersand - All Light’s Fragments: A Conversation with the artist MPA | Katherine Brewer Ball https://www.womenandperformance.org/ampersand/ampersand-articles/trisha-lows-vulva-print.html monthly 0.5 2019-01-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1483389767907-L189OB0SWLIK6YZZPHKZ/IMG-20131030-00434.jpeg ampersand - Vulva Print | Trisha Low Trista Low, Vulva Print. 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Davi Pontes & Aphiwe Livi - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1629828909960-9WURVZ0PD2VMS0WC13R5/%231.png Bonus Articles - Davi Pontes & Aphiwe Livi - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.womenandperformance.org/bonus-articles-1/category/bakhyt-bubicanova-amp-kaelo-molefe.html monthly 0.5 2021-10-27 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630952772630-MYH53CTXM5YRDYO4G1XF/%D0%A0%D0%B8%D1%81%D1%83%D0%BD%D0%BE%D0%BA4.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630951288287-09JFR6J8AQZIEU8S9HNI/Bakhyt%26Kaelo.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - Make it stand out Bakhyt Bubicanova + Kaelo Molefe https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630952220719-A1DIRFT0X5JHS7T7AT88/a28b0184-8e4e-4b2f-823e-150b47ce8c94.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - С первого дня знакомства Коэло заговорил со мной на казахском языке. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630952024809-XDIV8Z78IU8YSFSHH3TT/09249bbb-f860-4e2f-a471-a0dfc0957a00.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - Мы говорили о нас. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630952024242-C3MZC60N79RAZE8GIIN7/8a38e5da-d9c5-4c00-b7f6-8c3081c597dd.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - Мы говорили о свободе и рабстве. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630952024301-LO0LV7TWXSM2FY5B5T7T/57db5dfe-9cca-41eb-8d9e-d77997b2c486.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - Он любит свою культуру, также как и я, и как любой человек в мире, познает себя через идентичность. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630952023677-U3LTY23SWLWM37420H4Q/3b21539f-591b-4d16-a966-81ee5e66e185.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - Я была свидетелем его жизни. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630952165060-SIODYVVIIL9P2FEHCMNP/d6f27754-3aef-4d2e-ae1a-c59068a2aa94.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - Нам было мало заговорить на языках, которых мы не знали и он предложил говорить изображениями. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630952024695-4S6IH03ZQ5PIAD1TN3DY/1934d4a8-a563-4d90-8863-bef1b06e038d.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - Мы заговорили о личинах и обличиях. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630952023640-74XE4QNXZ9VDGAROM8NN/6c504a1a-c2a6-488d-bea2-4ae31a29b549.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - В этом диалоге мы пришли к новому разговору, чем мы по сей день занимаемся. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630952025220-NC29JY9H6QIWI11YAU9R/dc03e257-173b-49b9-b824-09e3f1dba90a.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - Так родился наш диалог. Пока так, дальше будет видно… https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630952748368-JYYTUZX7OXRSLYXQL2AF/%D0%A0%D0%B8%D1%81%D1%83%D0%BD%D0%BE%D0%BA3.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630952714876-XCWAORHZA8AM7ARFFO5D/%D0%A0%D0%B8%D1%81%D1%83%D0%BD%D0%BE%D0%BA2.jpg Bonus Articles - Bakhyt Bubicanova & Kaelo Molefe - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.womenandperformance.org/bonus-articles-1/category/jabu-nadia-newman-amp-mariana-villegas.html monthly 0.5 2021-10-27 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630953282849-ZAHXY5SYQ978QG8ZZGHZ/Capture.JPG Bonus Articles - Jabu Nadia Newman & Mariana Villegas "En México son asesinadas 11 mujeres por día. El pasado 8 de Marzo, Día Internacional de la mujer, asistí a la marcha feminista que exige justicia para las desaparecidas y asesinadas, para sus familias, es una acto de memoria. Millones de madres, hermanas, amigas y aliadas nos sumamos a la protesta. El actual gobierno protegió el Palacio Nacional con un muro, así como monumentos y comercios para evitar que fueran dañados. En México se protege más a un monumento o a un recinto que a una mujer, no podemos más. A partir de un registro que hice ese 8M en donde se muestra la rabia ante la impunidad y silencio frente a la crítica situación, decidí compartir con Jabu Newman un recorrido "turístico" de México, Jabu no conoce México. A partir de la invitación de Women & Performance para realizar una correspondencia con ella , volví a las calles que había registrado aquel día. La historia la habían borrado, la estaban borrando. La historia de una ciudad se lee en las paredes de la misma, es la narrativa de una sociedad, la memoria y la verdad. Podría hablarle de la comida, de la música, de las playas, del folklore, de nuestras tradiciones, pero ya habrá tiempo para eso. Hay algo más urgente, nos están matando. Yo tampoco conozco Johannesburgo, Jabu me mostró su ciudad: una estatua de bronce de una mujer que sostiene una pancarta que dice "Democracy is dialogue" y sostiene una bomba molotov, otra con mujeres ondeando la bandera palestina afuera del edificio del Parlamento y por último una pareja que se besan en el jardín del Consejo de Chambers. Nuestras imágenes generan un contraste de realidades, un muro es un símbolo concreto de silencio mientras que en otra ciudad se proclama que el diálogo es la democracia. Es posible que nunca nunca nos conozcamos o que sólo podamos conocer de esta forma nuestras ciudades, pero esta correspondencia nos acerca y encontramos una similitud de nuestro tiempo a pesar de la distancia: La Revolución es feminista." https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631021393409-B4KJP26J5BEKIQ2DNG8V/Screenshot_20210704-220723.jpg Bonus Articles - Jabu Nadia Newman & Mariana Villegas https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631021393483-L7P9BZ43HGYU9KLMGM9N/Screenshot_20210704-220552.jpg Bonus Articles - Jabu Nadia Newman & Mariana Villegas https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631021880063-N8Z7YGRE5BZNVG02UKYO/20210308_154738.jpg Bonus Articles - Jabu Nadia Newman & Mariana Villegas https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631021881125-9UIKOE2R89ZLBS0CK8QA/IMG_9531.JPG Bonus Articles - Jabu Nadia Newman & Mariana Villegas https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631021886350-GHFA0W39501HR8TPGKM3/IMG_9569.JPG Bonus Articles - Jabu Nadia Newman & Mariana Villegas https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631021887605-9S1RJ750GR1M4YB4QFX4/IMG_9574.JPG Bonus Articles - Jabu Nadia Newman & Mariana Villegas https://www.womenandperformance.org/bonus-articles-1/category/inescapable-scripts-role-playing-feminist-revisions-and-rehearsing-racialized-state-violence-in-police-training-scenarios-christina-aushana-303.html monthly 0.5 2021-09-05 https://www.womenandperformance.org/bonus-articles-1/category/hell-you-talmbout-sighting-confusion-in-the-performance-of-black-revolt.html monthly 0.5 2021-08-22 https://www.womenandperformance.org/bonus-articles-1/category/introduction-routing-kim-bobier-marisa-williamson-303html monthly 0.5 2021-08-22 https://www.womenandperformance.org/bonus-articles-1/category/making-a-scene-performance-and-black-maternal-remembranceshtml monthly 0.5 2021-03-16 https://www.womenandperformance.org/bonus-articles-1/category/wqsqq6nxlo2poqbpwd9jdosal4kmjshtml monthly 0.5 2021-03-08 https://www.womenandperformance.org/bonus-articles-1/category/screen-share-access-amp-collaboration-in-the-video-archive-bath-time-isa-amp-troizelhtml monthly 0.5 2020-11-18 https://www.womenandperformance.org/bonus-articles-1/category/screenshareelliotreed monthly 0.5 2020-11-16 https://www.womenandperformance.org/bonus-articles-1/category/screen-share-access-amp-collaboration-in-the-video-archive-non-binary-pussy-anh-vohtml monthly 0.5 2020-11-17 https://www.womenandperformance.org/bonus-articles-1/category/bathtime monthly 0.5 2020-11-16 https://www.womenandperformance.org/bonus-articles-1/category/introduction-contingency-planshtml monthly 0.5 2020-09-05 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1599239519360-4PBZBVTL4KTC554TB01X/INTROPicture3.jpg Bonus Articles - Introduction: Contingency Plans | Vivian L. Huang and Summer Kim Lee (30.1) Xavier Cha, Human Advertisement Series, 2004. Image courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1599239003985-QXHXXMPJQ04LDUHLU0U5/INTROPicture1.jpg Bonus Articles - Introduction: Contingency Plans | Vivian L. Huang and Summer Kim Lee (30.1) Xavier Cha, Human Advertisement Series, 2004. Image courtesy of the artist https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1599239599042-8BG5KJ2T6HQGQSU7ZDFT/INTROPictur4.png Bonus Articles - Introduction: Contingency Plans | Vivian L. Huang and Summer Kim Lee (30.1) Cover of “Asian American Feminist Antibodies,” an Asian American Feminist Collective and Bluestockings NYC collaboration, 2020. Image courtesy of the Asian American Feminist Collective. Cover art by Amira Lin. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1599239354646-SD0DX4L3Q9U0HMCD404H/INTROPicture2.png Bonus Articles - Introduction: Contingency Plans | Vivian L. Huang and Summer Kim Lee (30.1) Xavier Cha, Human Advertisement Series, 2004. Image courtesy of the artist. https://www.womenandperformance.org/bonus-articles-1/category/chop-suey-surplus-chinese-food-sex-and-the-political-economy-of-afro-asia-tao-leigh-goffehtml monthly 0.5 2021-08-22 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1599222226218-1ODDUUBJ4C3Z6JNOIPYT/Picture1.jpg Bonus Articles - Chop suey surplus: Chinese food, sex, and the political economy of Afro-Asia | Tao Leigh Goffe (30.1) Figure 1. Juanita Hall (left) playing the role of Madame Liang in Flower Drum Song the Broadway musical, New York Public Library (1958). https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1599477815585-RXPM8DH75SJGPE6N0DZ1/Picture5.jpg Bonus Articles - Chop suey surplus: Chinese food, sex, and the political economy of Afro-Asia | Tao Leigh Goffe (30.1) Figure 5. Image of Miss Chinese Jamaica Beauty Queens, 1961, from The Shopkeepers, edited by Ray Chen, 2004. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1599475731650-M85TXQY24EG3TZCN2OFN/Picture2.jpg Bonus Articles - Chop suey surplus: Chinese food, sex, and the political economy of Afro-Asia | Tao Leigh Goffe (30.1) Figure 2. Daphne Hewitt (nee. Chin) crowned Miss Jamaica in 1938. Courtesy of Jean Lowrie-Chin. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1599477017456-1R71C8CU4UNF1NIN4VNA/Picture3.jpg Bonus Articles - Chop suey surplus: Chinese food, sex, and the political economy of Afro-Asia | Tao Leigh Goffe (30.1) Figure 3. Ten Queens for Jamaica, Life magazine, 1956. Courtesy of the Philippe Halsman Archive. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1599477570192-MLFHIRUJS9482163P92N/Picture4.jpg Bonus Articles - Chop suey surplus: Chinese food, sex, and the political economy of Afro-Asia | Tao Leigh Goffe (30.1) Figure 4. “Contract with Chinese Female from the SS Prinz Alexander,” 1884. https://www.womenandperformance.org/bonus-articles-1/29-3/gagnonmcmaster monthly 0.5 2019-12-13 https://www.womenandperformance.org/bonus-articles-1/29-3/stewartberlant monthly 0.5 2019-11-14 https://www.womenandperformance.org/bonus-articles-1/29-3/lubinvaccaro monthly 0.5 2020-09-05 https://www.womenandperformance.org/bonus-articles-1/29-3/singhbrowning monthly 0.5 2019-11-14 https://www.womenandperformance.org/bonus-articles-1/29-2/shankar monthly 0.5 2021-08-19 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1564593944930-UZCRNNMJIUN3A6S5GGK0/image-asset.jpeg Bonus Articles - Tracing minor gesture in Maya Krishna Rao's kathakali-influenced performance | Karin Shankar (29.2) Figure 2. Maya Krishna Rao, The Non-Stop Feel-Good Show, 15th Bharat Rang Mahotsav, New Delhi, 2013. Credit: S. Thyagarajan. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1564595749468-WM2USR0DBJK9WY5JWE5U/Minorgestures_Image3.jpg Bonus Articles - Tracing minor gesture in Maya Krishna Rao's kathakali-influenced performance | Karin Shankar (29.2) Figure 3. Maya Krishna Rao, Khol Do, International Theatre Festival of Kerala, Thrissur, 2018. Credit: Bejoys Vijayan. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1564596326003-ICNJN8D1R4X1U7710O74/image-asset.jpeg Bonus Articles - Tracing minor gesture in Maya Krishna Rao's kathakali-influenced performance | Karin Shankar (29.2) Figure 4. Maya Krishna Rao, A Deep Fried Jam, New Delhi, 2002. Screen grab from film recording courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1564589113094-PH9KW8SN4RKFEDVLHN3U/Minorgestures_image1.JPG Bonus Articles - Tracing minor gesture in Maya Krishna Rao's kathakali-influenced performance | Karin Shankar (29.2) Figure 1. Maya Krishna Rao, The Non-Stop Feel-Good Show, 15th Bharat Rang Mahotsav, New Delhi, 2013. Credit: S. Thyagarajan. https://www.womenandperformance.org/bonus-articles-1/29-2/zuo monthly 0.5 2019-11-14 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1564002076319-IAXL8BW26K92SHVL351B/ZuoFigure4_300DPI.jpg Bonus Articles - Dull sex in a messy Square: traumatic boredom in Lou Ye's Summer Palace | Mila Zuo (29.2) Figure 4: A messy mise-en-scène evokes the mania of the protest Square, while suggesting encumbered memory. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1564002396259-RLYZNEEIZKHQAXQ1R8Q4/ZuoFigure5_300DPI.jpg Bonus Articles - Dull sex in a messy Square: traumatic boredom in Lou Ye's Summer Palace | Mila Zuo (29.2) Figure 5: The camera stares at Yu Hong’s wet abjection, slime of the sublime. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1564001154859-XOBUVVN3UR1RDREGFSMW/ZuoFigure2_300DPI.jpg Bonus Articles - Dull sex in a messy Square: traumatic boredom in Lou Ye's Summer Palace | Mila Zuo (29.2) Figure 2: Summer Palace reproduces the displeasing tints and hues of surveillance lighting. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1564001390914-NZ3HI0624FMPYT34TH4T/image-asset.jpeg Bonus Articles - Dull sex in a messy Square: traumatic boredom in Lou Ye's Summer Palace | Mila Zuo (29.2) Figure 3: Yu Hong and Zhou Wei, “exhausted by nothing,” are in/underarticulate—in both speech and in their listless carriage of skeletal joints and movement. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1564002400293-VQ7M5WISKS84K6QHGHB5/ZuoFigure6_300DPI.jpg Bonus Articles - Dull sex in a messy Square: traumatic boredom in Lou Ye's Summer Palace | Mila Zuo (29.2) Figure 6: Li Ti’s fall to her death is performed as a gesture of boredom—casual, slack, and lacking intention. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1564001096283-GJ5BUHYQAD6XLF2Q156S/ZuoFigure1_300DPI.jpg Bonus Articles - Dull sex in a messy Square: traumatic boredom in Lou Ye's Summer Palace | Mila Zuo (29.2) Figure 1: Lou's spotlight evokes amateur pornography aesthetics and calls attention to itself as artificial mediation. https://www.womenandperformance.org/bonus-articles-1/29-1/adeyemi monthly 0.5 2019-11-13 https://www.womenandperformance.org/bonus-articles-1/29-1/intro monthly 0.5 2019-11-13 https://www.womenandperformance.org/bonus-articles-1/huang-28-3 monthly 0.5 2018-11-08 https://www.womenandperformance.org/bonus-articles-1/cervenak-28-3 monthly 0.5 2019-03-05 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1541692327705-FNP3GH6GBW8YGJDM5DNN/28.3_Cervenak_2_Umoja%28WaterTable%29_TD.jpg Bonus Articles - Un/Sent Stream: a review of Torkwase Dyson’s recent exhibition, Dear Henry; Davidson Gallery; March 15–May 5, 2018 | Sarah Jane Cervenak (28.3) Figure 2. Torkwase Dyson. Umoja (Water Table), 2018. Acrylic on Canvas, 60 × 60 inches, 152.4 × 152.4 cm, Signed and Dated. Courtesy of the artist and Davidson Gallery. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1541692544973-UIVNZA3PX4OF66I1S01D/28.3_Cervenak_1_Council%28WaterTable%29_TD.jpg Bonus Articles - Un/Sent Stream: a review of Torkwase Dyson’s recent exhibition, Dear Henry; Davidson Gallery; March 15–May 5, 2018 | Sarah Jane Cervenak (28.3) Figure 1. Torkwase Dyson. Council (Water Table), 2018. Acrylic on Canvas, 60 × 60 inches, 152.4 × 152.4 cm, Signed and Dated. Courtesy of the artist and Davidson Gallery. https://www.womenandperformance.org/bonus-articles-1/jacob-gaboury-28-2 monthly 0.5 2018-07-20 https://www.womenandperformance.org/bonus-articles-1/olivia-michiko-gagnon-28-2 monthly 0.5 2018-07-19 https://www.womenandperformance.org/bonus-articles-1/benjamin-haber-daniel-sander-28-2 monthly 0.5 2018-07-18 https://www.womenandperformance.org/bonus-articles-1/mcmillan-28-1 monthly 0.5 2018-03-21 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1520891867571-S3RKH6NY6384NRGSQAO4/28.1_McMillan_Lopez_1.jpeg Bonus Articles - Introduction: Skin, Surface, Sensorium | Uri McMillan (28.1) Antonio Lopez, Glenda with Red Flower, NYC 1977. Kodak Instamatic Prints, 4.5 × 3.5 in. each. Courtesy of The Estate of Antonio Lopez and Juan Ramos. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1520891924508-1N1LGIYYE5AM7J8GXUI4/28.1_McMillan_Lopez_2.jpeg Bonus Articles - Introduction: Skin, Surface, Sensorium | Uri McMillan (28.1) Antonio Lopez, Amina Warsuma, NYC 1976. Polaroid SX-70, 4.25×3.5 in. each. Courtesy of The Estate of Antonio Lopez and Juan Ramos. https://www.womenandperformance.org/bonus-articles-1/28-1-harris monthly 0.5 2018-02-26 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1519671098286-QY6H4X18HSC70IIXBNOF/28.1+Musser+Image.jpeg Bonus Articles - Surface-becoming: Lyle Ashton Harris and brown jouissance | Amber Jamilla Musser (28.1) Figure 1. Lyle Ashton Harris, Billie #21 (2002). Courtesy of the artist. https://www.womenandperformance.org/bonus-articles-1/summer-kim-lee-27-3 monthly 0.5 2017-11-06 https://www.womenandperformance.org/bonus-articles-1/andrea-long-chu-27-3 monthly 0.5 2017-11-06 https://www.womenandperformance.org/bonus-articles-1/27-1-young monthly 0.5 2017-03-21 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1490112279271-9FEHR7J25WA10BBFEN4G/Okudzeto+Young+27.1 Bonus Articles - Retracing the contours of her figure … slippages begin to appear: Reckoning the limits of the archive with Senam Okudzeto’s Large Reclining Nude | Olivia K. Young (27.1) Figure 1. Senam Okudzeto, Large Reclining Nude, 2004, acrylic ink on Somerset paper, 86 in x 63 in. Photograph by the artist and Mario Todeschini. Image courtesy of the artist. https://www.womenandperformance.org/bonus-articles-1/27-1-introduction monthly 0.5 2017-03-24 https://www.womenandperformance.org/bonus-articles-1/26-2-3-moten monthly 0.5 2017-08-14 https://www.womenandperformance.org/bonus-articles-1/tag/correspondence+artists+grant monthly 0.5 https://www.womenandperformance.org/staging daily 0.75 2019-11-23 https://www.womenandperformance.org/29-1/jafa daily 0.75 2019-03-12 https://www.womenandperformance.org/contribute daily 0.75 2025-11-16 https://www.womenandperformance.org/about daily 0.75 2025-11-29 https://www.womenandperformance.org/propose-a-program daily 0.75 2016-12-30 https://www.womenandperformance.org/for-authors daily 0.75 2023-10-18 https://www.womenandperformance.org/contact-us daily 0.75 2025-01-22 https://www.womenandperformance.org/page daily 0.75 2017-07-06 https://www.womenandperformance.org/volume-30-1 daily 0.75 2023-10-18 https://www.womenandperformance.org/correspondence-artist-grant daily 0.75 2021-10-27 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631022948400-89KC9MYPJNMLHVX9FTW4/tcag.gif Correspondence Artists Grant https://www.womenandperformance.org/corresponding-gestures daily 0.75 2021-08-29 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630252814442-CNQ4039TVR7VT7HVT4U1/%D0%A0%D0%B8%D1%81%D1%83%D0%BD%D0%BE%D0%BA3.jpg CORRESPONDING GESTURES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630252886447-4JU2FKYNGT7038OW5IEI/%D0%A0%D0%B8%D1%81%D1%83%D0%BD%D0%BE%D0%BA4.jpg CORRESPONDING GESTURES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630251976691-RIMJX6IY267OSHBHE253/a28b0184-8e4e-4b2f-823e-150b47ce8c94.jpg CORRESPONDING GESTURES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630252289732-XI3P2P9YR4GAA90SUXJU/57db5dfe-9cca-41eb-8d9e-d77997b2c486.jpg CORRESPONDING GESTURES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630252315160-P52NV5S5TZAEDD0BVJWR/3b21539f-591b-4d16-a966-81ee5e66e185.jpg CORRESPONDING GESTURES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630252193614-9NUJYXXDVDPDXLRYIIR7/8a38e5da-d9c5-4c00-b7f6-8c3081c597dd.jpg CORRESPONDING GESTURES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630252734259-RELZ40GPTZ0JXCQSD67S/%D0%A0%D0%B8%D1%81%D1%83%D0%BD%D0%BE%D0%BA2.jpg CORRESPONDING GESTURES https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630252430107-B7MGW7NLD2ON5DTSLCK6/d6f27754-3aef-4d2e-ae1a-c59068a2aa94.jpg CORRESPONDING GESTURES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630252162336-OFYJ1VWGKGII1W4P4I21/09249bbb-f860-4e2f-a471-a0dfc0957a00.jpg CORRESPONDING GESTURES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630252630191-2UM7LPUIYHWUCJJ2LNXP/dc03e257-173b-49b9-b824-09e3f1dba90a.jpg CORRESPONDING GESTURES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630252457511-AVW1DNMDWCNMNESTVVFS/1934d4a8-a563-4d90-8863-bef1b06e038d.jpg CORRESPONDING GESTURES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1629758371645-RDMBBQDMM3TM72OZ3UCW/%D0%A0%D0%B8%D1%81%D1%83%D0%BD%D0%BE%D0%BA1.jpg CORRESPONDING GESTURES BAKHYT BUBICANOVA + KAELO MOLEFE https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630252566040-RA8OY6TBG94CETDPGTDT/6c504a1a-c2a6-488d-bea2-4ae31a29b549.jpg CORRESPONDING GESTURES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.womenandperformance.org/publicapproved daily 0.75 2021-09-02 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630254055765-SIO0INW9365JM7WU555T/Screenshot_20210704-220723.jpg @publicapproved https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630254055903-ZS3DSP8W38WHZCE044I2/Screenshot_20210704-220552.jpg @publicapproved https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630253791304-T7SOMU3YOARPGKMXPM7I/Mariana+translation.png @publicapproved - Make it stand out Marian Villegas’s writing about her correspondence with Jabu Nadia Newman in Spanish and its Google translation https://www.womenandperformance.org/introduction-spanish daily 0.75 2021-09-07 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631031724391-AC4IBYDAW0KIOURWCD7D/tcag.gif Programa de Correspondencia de Artistas https://www.womenandperformance.org/introduction-russian daily 0.75 2021-09-07 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631030537408-91U7YZ2GWKFKB56NHUWO/tcag.gif Грант Эпистолярных Художников https://www.womenandperformance.org/introduction-portuguese daily 0.75 2021-09-07 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631030625927-P54GFS1QWOP5ELAR005J/tcag.gif Financiamento para Artistas em Correspondência https://www.womenandperformance.org/publicapproved-1 daily 0.75 2021-09-02 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630254055765-SIO0INW9365JM7WU555T/Screenshot_20210704-220723.jpg @publicapproved (Copy) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630254055903-ZS3DSP8W38WHZCE044I2/Screenshot_20210704-220552.jpg @publicapproved (Copy) https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1630253791304-T7SOMU3YOARPGKMXPM7I/Mariana+translation.png @publicapproved (Copy) - Make it stand out Marian Villegas’s writing about her correspondence with Jabu Nadia Newman in Spanish and its Google translation https://www.womenandperformance.org/correspondence-artists-bio daily 0.75 2021-10-27 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631024257214-BUDIAK3YJ208H65ATED5/Davi+Pontes_Foto+Hudson+Rodrigues.jpg Correspondence Artists Bio Davi Pontes instagram @daviponttttes Artista, pesquisador e coreógrafo. Graduou-se em Artes pela Universidade Federal Fluminense (UFF), e Mestrando no Programa de Pós Graduação em Artes (Estudos Contemporâneos das Artes) da mesma instituição. Estudou na Escola Superior de Música e Artes do Espectáculo ESMAE (Porto, Portugal), Escola de Artes Visuais do Parque Lage (EAV, Rio de Janeiro), na Pivô Pesquisa - Ciclo III / Beck’s 2020, Programa de Residência Pesquisa em artes MAM Rio e na Escola Livre de Artes – ELÃ entre outros. Dirigiu o filme Delirar o racial em parceria com o artista Wallace Ferreira, obra comissionada pelo Programa Pivô Satélite, 2021. É idealizador da Escola Repertório de Autodefesa, projeto contemplado pelo Programa Rumos Itaú Cultural 2019-2020. Desde 2016 tem apresentado o seu trabalho em galerias de arte e festivais nacionais e internacionais, sobretudo o projeto “Repertório”, em parceria com o artista Wallace Ferreira. O artista tem se dedicado em produzir contra narrativas negras a partir da tríade coreografia, modernidade e racialidade, com isso, posicionar a coreografia para responder às suas próprias condições ontoepistemológicas -, atender politicamente diante das condições em que está sendo praticada. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631025558965-HS30G5ADCTO1FRLVMWQS/Jabu.jpg Correspondence Artists Bio Jabu Nadia Newman instagram @jabunewman // vimeo.com/jabunewman Jabu Nadia Newman is an award-winning artist and filmmaker who works through the mediums of photography and videography. Pushing intersectional feminism, her work is largely based on the different and complex identities of South African women. In 2020 Newman was commissioned by NOWNESS, British Film Institute and the British Council to write and direct a short film exploring diaspora aesthetics and issues of afro-futurism, The Dream That Refused Me (2021) which won two awards at the Ciclope Africa Awards Festival 2021. Her newest short Inside Out premiered at the Encounters South African International Documentary Festival 2021. In 2018 Newman exhibited her first solo exhibition titled Mokwena, Macquene, Macquene after being awarded the recipient of the Orms Cape Town School of Photography Artist in Residency program. This exhibition looked at issues of Coloured identity in Retreat, Cape Town, the history of forced removals and the result of her family having to change their surname. Newman has recently won the 2nd edition Video Art Awards by the Arp Art Residency program Centro Luigi Di Sarro for her film titled untitled:friends which screened at the Corte Lovere Short Film Festival in September 2019. In 2019 the Museo Meà and the Associazione ‘Asilo dei Creativi di Meano’ presented ‘Jabu Nadia Newman: It Takes A Village’ the artist's first Museum Solo Exhibition in the museum’s main exhibition space from September 7, 2019. This exhibition is curated by Alec Von Bargen, Artistic Director/ Chief Curator. Newman has exhibited in numerous group shows and has had her films screened at numerous film festivals internationally and locally. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631026001087-KD0T4AMAWSV4KSY6F8C3/111111.png Correspondence Artists Bio Kaelo Molefe instagram @kwena_sesame Kaelo Molefe is a practicing medical doctor and self-taught artist based in Johannesburg, South Africa. Having spent a number of years working in clinical practice, he is now focusing on his artistic pursuits, which include drawing, collage, printmaking and moving image. He is interested in local and regional histories and the ways in which these re-collections colour and determine contemporary experiences, paradigms and ways of being-in-the-world. He is preoccupied with exploring this through the intersections of history with material culture, anatomy, racialization, regimes of representation and the embodiment of memory. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631023581855-N12QM1950TMPYWM182IX/Abigail.jpg Correspondence Artists Bio Abigail Campos Leal instagram @bibirigosa Minha criação artística y cotidiana transita entre os terrenos da poesia y filosofia. atualmente faço doutorado em Filosofia pela PUC-SP, estudando a quebra ontológica na poesia feita por existências trans racializadas no contexto do Brasil. sou uma das organizadoras do Slam Marginália, uma competição de poesias faladas feitas por y para pessoas trans [a única do Brasil, (in)felizmente]. atuo como ativista ativista social, especialmente na questão do direito a moradia, na luta pelos direitos animais, contra a transfobia y contra a violência racial y colonial no Brasil, há pelo menos 20 anos. atualmente o ativismo literário tem sido a tônica da minha luta y criação artística. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631026066957-OCXNGD359JDDV510UBNA/Lia.jpg Correspondence Artists Bio Lia García (La Novia Sirena) instagram @cucaracha_debarrio // https://jerrychinos.wixsite.com/transartivismosudaka Soy Lia García (La Novia Sirena) Nací en la Ciudad de México en 1989. Mujer trans pedagoga, escritora y artista del performance. Soy aprendiza feminista y defensora de los derechos humanos de las personas trans en mi país, segundo en Latinoamérica en asesinar a más mujeres trans. Amante de hacer perfumes con flores curativas. Junto con Jessica Marjane co-fundé la Red de Juventudes Trans México en 2016 y en 2019 con mi compañerx de vida Canuto Roldán el archivo de literatura infantil y juvenil LGBTIQ+ Trans*Marikitas. Mi apuesta política y pedagógica ha sido por más de 10 años, un trabajo artístico con los afectos y la ternura radical, principalmente en espacios de complejidad que socialmente se entienden como encierros (cárceles, escuelas, mercados, comunidades sobrevivientes a la guerra armada y hospitales, entre otros) Mi propuesta artística inicia en la piel y transita a la performance entrecruzada por la poesía expandida. Me interesa detonar una pedagogía intensa del amor que recupera el sentido afectivo de nuestros cuerpos y subjetividades, alejándonos de procesos racionales y teóricos para emanar un proceso colectivo de justicia restaurativa que permita que nuestros cuerpos trans* y de la feminidad disidente sanemos y materialicemos todos los mundos posibles que habitan nuestros sueños. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631026326599-PY4ZREXW7MIO3KUQBI1E/Mariana_1.jpg Correspondence Artists Bio Mariana Villegas instagram @varianamillegas Mariana Villegas (Sinaloa, 1986) Realizó sus estudios de actuación en CasAzul de 2004 a 2007. Se Rompen las Olas es su primer proyecto como actriz, directora y autora realizado bajo la producción y asesoría artística de Lagartijas Tiradas al Sol, fue presentado en los festivales Santiago a Mil en Santiago de Chile; VIE Festival en Módena, Italia; Radar L.A. en Los Ángeles,Teatro a una sola voz en México; Heidelberg Stückemarkt en Alemania, entre otros. Este cuerpo mío es su segundo proyecto en coproducción con Lagartijas Tiradas al Sol, Teatro Línea de Sombra y Münchner Kammerspiele, fue estrenada en el festival Endstation Sehnsucht en Munich y ha sido presentado en HAU Hebbel am Ufer en Berlín y en el festival Temporada Alta en Lima. Ha actuado en varias puestas como Ensayo sobre la melancolía de Alberto Villarreal, El último arrecife en tercera dimensión y Nada siempre, todo nunca con el Colectivo Macramé Los habladores de David Olguín, La flauta mágica / Die zauberflöte dirigida por Antú Romero Nunes, presentada los festivales Santiago a Mil en Santiago de Chile y Theater und Orchester Heidelberg, en Alemania. Fue invitada como directora y actriz en el proyecto Olympia 2666 en el Münchner Kammerspiele, en Munich. Participó en la pieza Graduación de Dalia Taha bajo la dirección de Laura Uribe para el Gorki Theater de Berlín. Ha participado en proyectos de danza, cortometrajes y largometrajes. Forma parte del colectivo teatral Lagartijas Tiradas al Sol desde el año 2007. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631024022726-KAPFBYF848D94WTBTGHQ/Bakhyt%2B-%2Buse%2Bthis%2Bone.jpg Correspondence Artists Bio Bakhyt Bubicanova instagram @bbubicanova Меня зовут Бахыт Бубиканова, мне 36 лет, именуют себя не артистом, отзываюсь на "панк-дива" совриска Казахстана, Ср. Азии и мира. Занимаюсь разным медиа, в зависимости от идеи. По образованию скульптор. Выставляюсь поместно и зарубежом. Сейчас на стадии обретения счастья, мира и покоя как и в себе, так и в работе. Очень скромная. https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1631023854204-K0GPMPAA945YCGNPSIAM/Aphiwe.jpg Correspondence Artists Bio Aphiwe Livi instagram @aphiwelivi Aphiwe Livi is a Cape Town based freelance dancer , photographer and choreographer. He began his performance career in African, Gumboot, contemporary and fission dance as a member of the physical theatre organization Iqhude Theatre Production under the direction of Thembelihle Mananga. He then studied performance at New Africa Theatre in 2008, and contemporary dance at Jazzart from 2009-2011. He has performed as a dancer in numerous Jazzart productions at the Artscape and Baxter Theatre. In 2013 he branched into acting, appearing in Mandisi Sindo’s ‘The Widow’ at Infecting the City, Thando Mzembe’s ‘The Playroom’ at Zabalaza festival (for which he was nominated for best supporting actor) and the Market Theatre, Joanna Evans’ award-winning ‘The Year of the Bicycle’ and ‘In Ongenade’ directed by Jaco Bouwer. Aphiwe has toured extensively around South Africa, as well as to international festivals with the likes of Mohau Modisakeng, and Mamela Nyamza to name a few . Most recently he has worked with Amy Louise Wilson on her new play "Another kind of dying" as a lead on the 2020 Virtual NAF . He is also known for the roles he mastered in two films in 2019 "Thando no Guluva" and " Imali " in a Direction of DAYDREAM films. https://www.womenandperformance.org/current-cfps-copy daily 0.75 2023-10-17 https://images.squarespace-cdn.com/content/v1/5862d0049f745694ba1140cc/1622498824980-E98VDS34DUB0CS0HJUXJ/Emilio+Rojas%2C+Open+Wounds+%28to+Gloria%29+%282014-Present%29++Courtesy+of+the+artist Current CFPs (Copy) - Make it stand out Emilio Rojas, Open Wounds (to Gloria) (2014-Present) — Courtesy of the artist