Volume 27

For complete archive, see Taylor & Francis past issues

27.1: Sentiment & Sentience:
Black Performance since
Scenes of Subjection

Essays

Reading and Feeling after Scenes of Subjection
Sampada Aranke and Nikolas Oscar Sparks

Retracing the contours of her figure---slippages begin to appear: Reckoning the limits of the archive with Senam Okudzeto's Large Reclining Nude
Olivia K. Young

The Sound(s) of Subjection: Constructing American popular music and racial identity through Blacksound
Matthew D. Morrison

Progress Notes: Scenes of Subjection's "actualization" dialectic
Jeremy Matthew Glick

This Is Your Afterlife: Gender, slavery, and televisual subjection
Sarah Haley

Untitled and Outdoors: Thinking with Saidiya Hartman
Sarah Jane Cervenak and J. Kameron Carter

Two Characteristics of the Sonanta as a (post-work) Principle of Composition: An amusement, a form of slavery
sidony o'neal

"Object Lesson(s)"
Autumn M. Womack

Performing Blackness in the "Rainbow Nation": Athi-Patra Ruga's The Future White Women of Azania
Andrew J. Brown

Black Organs and Optics: gazing at viscera in the work of Doreen Garner
Jared Richardson

Dermopolitics and the Erotics of the Muslim Body in Pain
Sara Mameni

Reciprocity and Rape: Blackness and the paradox of sexual violence
Frank B. Wilderson III

The nonarrival of black freedom (c. 12.6.84)
Nijah Cunningham

&

Scatting
Sonia Louise Davis

Book Reviews

Embodied Avatars: Genealogies of Black Feminist Art and Performance, by Uri McMillan
Lillian G. Mengesha

Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance, by Anthea Kraut
Lizzie Feidelson

Performance Review

Breathing Material: Cassils and Xandra Ibarra in Los Angeles
2 April 2016, The Broad, Los Angeles
Hannah Manshel

27.2: Nou Mache Ansanm
(We Walk Together): Queer Haitian Performance and Affiliation

Essays

Nou Mache Ansanm (We Walk Together): Queer Haitian Performance and Affiliation
Dasha A. Chapman, Erin L, Durban-Albrecht and Mario LaMothe

Performing Postcolonial Homophobia: A decolonial analysis of the 2013 public demonstrations against same-sex marriage in Haiti
Erin L. Durban-Albrecht

'Bitch Out of Hell': The queer urban marronage of Assotto Saint
Ryan Joyce

Forging Lakou in the Grand Rue: A Polyphonic Reflection on a Collaborative Performance in Port-au-Prince
Dasha A. Chapman, Yonel Charles, Jean-Sebastien Duvilaire and Ann E. Mazzocca