Volume 27
For complete archive, see Taylor & Francis past issues
27.1: Sentiment & Sentience:
Black Performance since
Scenes of Subjection

Essays
Reading and Feeling after Scenes of Subjection
Sampada Aranke and Nikolas Oscar Sparks
The Sound(s) of Subjection: Constructing American popular music and racial identity through Blacksound
Matthew D. Morrison
Progress Notes: Scenes of Subjection's "actualization" dialectic
Jeremy Matthew Glick
This Is Your Afterlife: Gender, slavery, and televisual subjection
Sarah Haley
Untitled and Outdoors: Thinking with Saidiya Hartman
Sarah Jane Cervenak and J. Kameron Carter
Two Characteristics of the Sonanta as a (post-work) Principle of Composition: An amusement, a form of slavery
sidony o'neal
"Object Lesson(s)"
Autumn M. Womack
Performing Blackness in the "Rainbow Nation": Athi-Patra Ruga's The Future White Women of Azania
Andrew J. Brown
Black Organs and Optics: gazing at viscera in the work of Doreen Garner
Jared Richardson
Dermopolitics and the Erotics of the Muslim Body in Pain
Sara Mameni
Reciprocity and Rape: Blackness and the paradox of sexual violence
Frank B. Wilderson III
The nonarrival of black freedom (c. 12.6.84)
Nijah Cunningham
&
Scatting
Sonia Louise Davis
Book Reviews
Embodied Avatars: Genealogies of Black Feminist Art and Performance, by Uri McMillan
Lillian G. Mengesha
Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance, by Anthea Kraut
Lizzie Feidelson
Performance Review
Breathing Material: Cassils and Xandra Ibarra in Los Angeles
2 April 2016, The Broad, Los Angeles
Hannah Manshel
27.2: Nou Mache Ansanm
(We Walk Together): Queer Haitian Performance and Affiliation
Essays
Nou Mache Ansanm (We Walk Together): Queer Haitian Performance and Affiliation
Dasha A. Chapman, Erin L, Durban-Albrecht and Mario LaMothe
Performing Postcolonial Homophobia: A decolonial analysis of the 2013 public demonstrations against same-sex marriage in Haiti
Erin L. Durban-Albrecht
'Bitch Out of Hell': The queer urban marronage of Assotto Saint
Ryan Joyce
Forging Lakou in the Grand Rue: A Polyphonic Reflection on a Collaborative Performance in Port-au-Prince
Dasha A. Chapman, Yonel Charles, Jean-Sebastien Duvilaire and Ann E. Mazzocca
&
KISSED THERE MYSELF and RADA RAINCOAT
Lenelle Moïse
Circling Dantò's Daughter: Reflections on Lenelle Moise's performances of shamelessness
Kantara Souffrant
Memories from the Dykeaspora
Sophonie Bazile
Documenting Spaces of Liberation in Haiti
Josué Azor
Our Love on Fire: Gay men's stories of violence and hope in Haiti
Mario LaMothe
& Online
Hadriana dans tous mes rêves | (PDF)
Kwynn Johnson
Hadriana in Muscular Monochrome: Kwynn Johnson's Queer Dreamscape of Jacmel | (PDF)
K. Adele Okoli
Kanaval
Leah Gordon
A Cross-Dressed Kanaval | (PDF)
Charlotte Hammond
"Out of the closet" on Death's deliverance or "In the footsteps of Diogène
Jean Élie Gilles
Rasanblaj, Same-Sex Desire, and the Archive in Haiti | (PDF)
Myron Beasley
Reflections on the 15th Anniversary of the Documentary Film Of Men and Gods / Des hommes et Dieux, 2002 | (PDF)
Interview with Anne Lescot and Laurence Magloire, Introduced by Katherine Smith
Book Reviews
The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution, by Jeremy Matthew Glick
Marina Sofia Magliore
The Color of Kink: Black women, BDSM, and Pornography, by Ariane Cruz
Shoniqua Roach
Performance Review
he Skeleton Architecture, or the Future of our Worlds, group improvisation curated, by Eva Yaa Asantewaa
Maura Nguyen Donohue
27.3: General Issue
Essays
Listening to Color: A set of propositions on pain as feminist aesthetic
Lynne Beckenstein
Study in Blue: Trauma, affect, event
Andrea Long Chu
Expo Afterlife: Corporate performance and capitalist futurity in the Carousel of Progress
Li Cornfeld
&
Interview for Another World
Julietta Singh
The Feminine in Abstract Painting Reconsidered
Shirley Kaneda
General Sisters, General Store / Big Rock Candy Mountain
Liz Park
Book Reviews
Matters of Care: Speculative Ethics in More than Human Worlds, by Maria Puig de la Bellacasa
James McMaster
The Great Woman Singer: Gender and Voice in Puerto Rican Music, by Licia Fiol-Matta
Summer Kim Lee
Performance Review
Re-stagings No. 1: Choreographing LeWitt, by Abigail Levine
Chloë Bass