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Advisory Board
Alicia Arrizón
Yvonne Yarbro Bejarano 
Kate Bornstein
Jennifer Brody
Catherine Ceniza Choy
Rey Chow
Kandice Chuh
Jennifer Doyle
Sharon Holland
John Jackson
Janet Jakobsen
Jill Lane
José Muñoz
Sianne Ngai
Cynthia Oliver
Peggy Phelan
Jasbir K. Puar
Juana Maria Rodriguez
Rebecca Schneider
Alina Troyano

Editorial Board
Barbara Browning
Joshua Chambers-Letson
Robert Diaz
Danielle Goldman
Debra Levine
Paul Scolieri
Jeanne Vaccaro
 
Contributing Editors Board
Gwendolyn Alker 
Sara Jane Bailes  
Michelle Dent 
Christian Herold 
MJ Thompson 
Welcome to Women & Performance
Women & Performance: a journal of feminist theory is a peer-reviewed, triannual publication featuring scholarly essays on performance, dance, film, new media, and the performance of everyday life from interdisciplinary feminist perspectives. We encourage dialogue between varied fields of performance scholarship (performance studies; theater, dance, and music history and criticism; ethnography; cinema and cultural studies; queer and post-colonial theory), and explore critiques of race, ethnicity, class, sexuality, technology, and nation.

A Brief History of the Journal
In 1983, graduate students in the  Department of Performance Studies at New York University launched  the collectively edited and managed journal Women and Performance as a forum for the discussion of gender and representation. Over the past 23 years, the journal has grown steadily. Effective 2006, The Taylor and Francis Group, a division of Routledge, will publish Women and Performance and distribute the journal nationally and internationally through bookstores, libraries, and individual and institutional subscriptions. The journal will also be available online for the first time.

 
Vol. 16, Issue 3: Domestic Disturbances
Introduction: Domestic disturbances
Pamela Cobrin
DOI: 10.1080/07407700600955065
   
 
“(L)Activists and Lattes”: Breastfeeding Advocacy as Domestic Performance
Faedra Chatard Carpenter
DOI: 10.1080/07407700600955354
   
 
Dialectic of Domesticity: Homemaking and ITS Discontents in 1920s American Drama
Dorothy Chansky
DOI: 10.1080/07407700600956337
   
 
Dangerous flirtations: politics, the parlor, and the nineteenth-century victorian amateur actresses
Pamela Cobrin
DOI: 10.1080/07407700600958085
   
 
Cavedweller: A One-Act Play
Steven Drukman
DOI: 10.1080/07407700600958176
   
 
“Mad Agnes” Ebbsmith: Revolutionary Roles and Reconfigured Relationships in A. W. Pinero's the Notorious Mrs. Ebbsmith
Patricia D. Denison
DOI: 10.1080/07407700600958200
   
 
Tongue and Groove: Movable Sculpture (Courtney Smith at the Chelsea art Museum)
Barbara Browning
DOI: 10.1080/07407700600959000
   
 
Impossible Hosting: D’lo Sets an Undomesticated Stage for South Asian Youth Artists
Sandra Chatterjee
DOI: 10.1080/07407700600959091
   
 
Deceptive exhibitions: Jean-Paul Sartre and Simone de Beauvoir
Debra Levine
DOI: 10.1080/07407700600959125
   
 
Watering the studio: Dance company 5è dimension rehearses in dakar, senegal
Ariel Osterweis Scott
DOI: 10.1080/07407700600960321
   
 
Contributors
DOI: 10.1080/07407700600960339
   
 
 

W&P has a new publisher!

Beginning in 2006, the journal will be published by Routledge, Taylor & Francis, UK. For subscription information, please visit their website.

 
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